Discussing “Alienoid: Return to the Future” with Director Choi Dong-hoon and Producer Ahn Soo-hyun – Exclusive Interview

I first interviewed Choi Dong-hoon, one of South Korea’s leading directors and screenwriters, in 2015 at the BFI London Film Festival, where he was promoting his espionage action film Assassination. Choi, renowned for his consistent box-office success, spent several years developing the script for Alienoid, a sci-fi fantasy action film. After premiering Alienoid at the…

P1Harmony in Chicago: Show-Stopping Performance – Concert Review

P1Harmony, expanding from theaters to arenas, are currently on their P1ustage H: UTOP1A Tour, travelling across eleven cities through North America after their opening show in Seoul. They most recently hit the Chicago Credit Union 1 Arena stage. Before the show began, fans gathered all along the arena, with lines stretching far beyond what one…

77th Cannes Film Festival: “When the Light Breaks” Review

Under the moody lilac skies of the Northern hemisphere, comes an 80-minute life sampler of the hopeful and free-spirited youths of Iceland, directed by Rúnar Rúnarsson. There’s only really two plot points of the whole film, which would explain its length; the rest is filled in with the characters’ – particularly Una’s – emotional conflicts…

77th Cannes Film Festival: “Universal Language” Review

The latest absurdist gem sitting behind the oh-so-frightening curtain of non-English cinema is Cannes Directors’ Fortnight: Audience Award winner Universal Language, directed by and starring Matthew Rankin. In Persian and French, the film lands us in the snow-laid streets of Winnipeg, starting off in the French immersion school attended by Nazgol (Saba Vahedyousefi), Negin (Rojina…

77th Cannes Film Festival: “Locust” Review

Every generation has its angry young men, rebelling against the cultural conformity of the era. From James Dean in Rebel Without a Cause and Marlon Brando in The Wild One pushing back against the stifling conservatism of the Eisenhower age, to the various turn-of-the-century studies of disaffected adults stilted by middle-class life, these are snapshots…

77th Cannes Film Festival: “Twilight of the Warriors: Walled In” Review

Kowloon Walled City, a military fort turned ungovernable residential area in Hong Kong that was demolished in 1993, feels like the product of a screenwriter’s imagination run wild. As depicted in Twilight of the Warriors: Walled In, the city’s self-sustaining ecosystem is almost entirely shut off from the real world, its 35,000+ residents living and…