Art fairs have always played a crucial role in the world of contemporary art. Not only do they allow art lovers to see the creations of new and upcoming artists, but they also enable collectors, agents, and curators to obtain unique modern art pieces. StART Art Fair was founded in 2014 by David and Serenella…
66th BFI London Film Festival: “The Woman in the White Car” Review
In a small Korean town, a police officer, Kim Hyun-ju (Lee Jeong-eun: Parasite, Hommage), alongside her partner, are called to a hospital to check on two sisters with one being severely injured and unconscious. We quickly learn that one of the siblings is called Do-kyung (Jung Ryeowon: Castaway on the Moon, Wok of Love, Gate),…
66th BFI London Film Festival: “Decision to Leave” Review
It may not seem like it at first glance, but Park Chan-wook’s films are those of a distinctly romantic disposition. His narratives typically explore the tension that arises when erotic and emotional idealism meets cold, hard reality; in his films, the only happy romances can be found in either the dispassionate confines of a mental…
Yoon Seo-bin on Music, Acting and Korean Cinema
Who is Yoon Seo-bin? Born and raised in South Korea, Yoon Seo-bin found his love for music during his teenage years. After being discovered on the streets of Seoul, the singer trained for over a year and seven months. Despite leaving Produce X 101 (2019 – reality survival show), he decided to wait for a…
“The fans are the 11th member of Golden Child, and we don’t [and wouldn’t] exist without them” – In Conversation with Golden Child, a K-Pop Idol Group
Golden Child distinguish themselves by their musical variety. Although they represent K-pop in its pure form, the group finds it easy to combine the genre with funk, disco, and electronic sounds. Visually, when it comes to their music videos, the group values simplistic aesthetics blended with satisfying choreography instead of the flashy, complex music videos…
Fragments Festival: In Conversation with Kim Bartley, Director of “Pure Grit”
What does it mean to explore non-fiction narratives through film? Accompanying other people with a camera during their everyday life is always difficult, but at the same time, it is an extraordinary journey for all parties involved, including the director, the film crew, and also the subject of the film. While documentaries capture meaningful moments,…
Fragments Festival: “Mama Bears” Review
24 June 2022, the Supreme Court overturned Roe v Wade. This is just the first step by the Republican Party in removing the American people’s hard-fought rights. Next up on the Christian nationalist agenda by the MAGA republicans seems to be same-sex marriage and the further erosion of trans rights. On the day that Trump was elected…
Fragments Festival: In Conversation with Sharmaine Weed, Protagonist of “Pure Grit”
Throughout the decades, the prominence of Native American men and women has declined. Undoubtedly, this is because of the horrific suffering they have endured due to colonization, as well as the widespread struggles on reservations nowadays. While foreign colonizers tried hard to strip away the culture of Native Americans, the people fought hard to preserve…
Fragments Festival: “Pure Grit” Review
Horses have been a part of Native American culture for a very long time, and most of their cultural iconography is filled with equestrian imagery, making a clear distinction in Indigenous art. Pure Grit, a documentary directed by Kim Bartley, depicts the story of Sharmaine, a young Native American woman who lives in the Wind…
Fragments Festival: “Framing Agnes” – Trans Lives Through the Lens – Film Review
Chas Joynt’s award-winning, solo documentary debut, based upon his 2018 critically acclaimed short of the same name, casts a critical eye over trans histories as marked out by the singular, exceptional, trans person in the popular domain. This follows the documentary No Ordinary Man based on the life of Billy Tipton that he co-directed with…
Fragments Festival: “To Kill The Beast” Review
To Kill The Beast is the first feature film of Agustina San Martin, whose short films have garnered prestigious awards at film festivals including Cannes with Monster God (2019). The Argentinian director has also worked as a screenwriter, colourist, and cinematographer. Between 2020 and 2022, she was mentored by Lin-Manuel Miranda, actor, singer, songwriter and…
“I Hope That We Can All Do What We Love, But Also in a Way That Can Best Shape a More Equal World.” – In Conversation with James An
While being an independent artist carries some risks, independence is indeed an important aspect for many, especially musicians. Not only does it allow them to communicate directly with their audience, it also enables them to promote their music whenever and however they wish. Frankly speaking, you don’t need to have a label to be a…
When is a Zombie not a Zombie: “The Retaliators” Review
A word to the wise, never show characters watching a seminal film that is far better than the one they are in (here the film is Romero’s classic The Night of the Living Dead). A pastor, Bishop (Michael Lombardi), loses his eldest daughter as a result of a drug exchange that goes wrong and must decide…
79th Venice International Film Festival – “Burning Hearts” Review
Deep in the Apulian countryside, resides two powerful families with a venomous hatred of each other – the Malatestas and the Camporeales. It’s been around 40 years since their last bloodshed and ever since both families have been stuck in a tense stalemate with each other. All until the young Malatesta heir Andrea (Francesco Patanè)…
VIEW OF THE ARTS 