78th Cannes Film Festival: “I Only Rest in the Storm” Review

Pedro Pinho’s I Only Rest in the Storm is a hypnotic and textured look at power, identity, and longing, set in a tense West African city. The film follows Sergio, an environmental engineer working on a controversial road between the desert and the forest, as it explores the tangled realities of neo-colonialism, expat privilege, and…

27th Far East Film Festival: “The Land of Morning Calm” Review

Set against the subdued beauty of a Korean fishing village, The Land of Morning Calm, written and directed by Park Ri-woong, is a restrained and moving exploration of displacement and the quiet tensions beneath everyday life. This is not a story about national identity or grand political themes. Instead, it is about people: ordinary, flawed,…

27th Far East Film Festival: “Organ Child” Review

Organ trading generates over $1.7 billion annually, and about 10% of all transplants are believed to be illegal, staggering figures that are steadily rising across the globe, particularly on Asian continent. Reading about the plight of Falun Gong practitioners in China sheds light on the horrifying reality behind these statistics. Organ trafficking thrives because of…

39th BFI Flare: London LGBTQIA+ Film Festival: Actor Han Gi-chan Discusses “The Wedding Banquet” – Exclusive Interview

Andrew Ahn’s The Wedding Banquet revitalises Ang Lee’s 1993 classic, bringing a contemporary lens to themes of love, the weight of tradition, the complexities of identity, and societal expectations. While the original film followed a dutiful Taiwanese son confronting the pressures of tradition, Ahn’s version expands the narrative, introducing new characters and conflicts that reflect…