If you’re a Vietnamese filmmaker, presenting a story to the world about two star-crossed lovers nicknamed Viet and Nam is all but asking the audience to interpret the trajectory of their relationship as a metaphor for the nation itself. The third film from writer/director Truong Minh Quy attempts to avoid this straightforward categorization due to…
Tag: Asian Cinema
39th BFI Flare: London LGBTQIA+ Film Festival – In Conversation with Minh Quý Trương, Director of “Việt and Nam”
Minh Quý Trương, a filmmaker from Buôn Ma Thuột, Vietnam, began his artistic journey by attending film school but dropped out in 2008 to pursue independent filmmaking. His early exposure to cinema led him to participate in the Asian Film Academy and the Berlinale Talents program, which enhanced his passion for storytelling and filmmaking. Trương’s…
39th BFI Flare: London LGBTQIA+ Film Festival – “Some Nights I Feel Like Walking” Review
Petersen Vargas draws us into a night of endless possibility in Some Nights I Feel Like Walking, a sensory experience set in the beating heart of Manila. Vibrant lights and a subtly hypnotic ambience immerse us into the thrilling hustle life of four boys, which is slowly unpeeled to its merciless core. We never see…
39th BFI Flare: London LGBTQIA+ Film Festival Announces Its Full Programme
The 39th edition of BFI Flare: London LGBTQIA+ Film Festival will take place at BFI Southbank, featuring screenings, special events, and DJ nights. The festival, known for its significance in the LGBTQIA+ film calendar, is divided into three thematic strands: HEARTS, BODIES, and MINDS. This year’s programme includes 34 World Premieres, 56 features, 1 series,…
75th Berlin International Film Festival: In Conversation with Rima Das, Director of “Village Rockstars 2”
Seven years after Village Rockstars (2017), filmmaker Rima Das returns to Kalardiya with Village Rockstars 2, continuing Dhunu’s (Bhanita Das) story as she faces the challenges of adulthood in her small Assamese village. Once a dreamer with ambitions of rock stardom, 17-year-old Dhunu now faces economic hardships, family responsibilities, and the weight of her mother’s…
75th Berlin International Film Festival – “Village Rockstars 2” Review
Seven years after the release of the critically acclaimed Village Rockstars (2017), filmmaker Rima Das revisits the vivid terrain of Kalardiya to continue the subtle narrative of Dhunu (Bhanita Das). Now on the cusp of adulthood, 17-year-old Dhunu confronts the complex realities of life in her small Assamese village, a world shaped by cyclical floods,…
Cinema and Myth: Riar Rizaldi Discusses “Monisme” and the Enigma of Mount Merapi – Exclusive Interview
Indonesian multimedia artist and filmmaker Riar Rizaldi, known for his blend of documentary fiction and essay films, has recently completed his latest work, Monisme (2024). The film delves into themes of duality—human and non-human, nature and technology—while questioning their interconnectedness. Born from years of extensive research on Mount Merapi, one of Indonesia’s most significant volcanoes,…
Takeuchi Hideki Returns to the Far East Film Festival
Historically, cinema has predominantly engaged with the human body through the lens of science fiction, often depicting miniature characters – reduced to the size of ants – who embark on fantastical journeys within our physical form, confronting its mysteries and the limited special effects technology of bygone eras. Iconic films like Richard Fleischer’s Fantastic Voyage,…
The World of Shaina Magdayao: Acting, Advocacy, and International Acclaim – Exclusive Interview
Before cinema’s advent in the Philippines, theatrical traditions thrived through indigenous rituals and Spanish-imported zarzuelas and vaudeville. These laid the cultural groundwork for the cinematic evolution to follow. The country’s first public film screening occurred in 1897 under Spanish auspices, marking a watershed moment for Philippine entertainment. By the turn of the century, cinema rapidly…
“By the Stream” Review
There is no easy entry point to the work of Hong Sang-soo. Even though his style remains consistent, his Eric Rohmer-inspired narratives frequently built around off-the-cuff drunken conversations and meandering walks around Seoul, there’s a density to the storytelling not always immediately apparent. His earlier work could often be in conversation with itself, with metatextual…
VIEW OF THE ARTS 