Apo Nattawin and Mile Phakphum have become a key screen pairing in Thai entertainment over recent years. From KinnPorsche to Man Suang and now Shine, they have drawn consistent attention for their performances. Their latest project takes them into new creative ground, mixing romance, political tension, comedy, and social themes set in late-1960s Thailand. In…
Tag: Asian Cinema
JIB DREAM FANMEET 6.5 – Exploring Love in “Shine” with Son and Euro – Exclusive Interview
As Shine continues to win hearts around the world, Son and Euro brought that excitement to Europe for the JIB DREAM FANMEET in Rome. For fans, it was a special opportunity to meet the actors behind Krailert and Naran, whose story became one of the most talked-about and beloved parts of the series, at least…
Tibet Film Festival Season: In Conversation with Tibet’s Strongest Female Voices in Filmmaking Today: Kunsang Kelden and Pema Shitsetsang
The presence of female Tibetan creatives and voices in cinema is beginning to outpace that of their male counterparts. Most notably, in the film festival space, with curators seeking to present a perspective on Tibetan filmmaking that has, until the past few years, been left silent. Since the founding of the Tibet Film Festival in…
JIB DREAM FANMEET 6.5 – Daou and Offroad on Working Together, The Power of Thai BL and Acting – Exclusive Interview
Beneath its suspense and romance, The Wicked Game is a story about choosing to see the good in another person when the world gives every reason not to. Daou’s understanding of Than rests on a simple but powerful belief: that Pheem is fundamentally a good person, even when his actions suggest otherwise. Rather than judging…
“Comrades: Almost a Love Story” (1996) Review
To celebrate its 25th anniversary, the Hong Kong Film Archive has launched Close Encounters with Master Filmmakers: Movie Talks, a three-part series in which leading local directors share their own films alongside works that inspired them. The first edition features acclaimed director Peter Chan, best known for He’s a Woman, She’s a Man (1994), Perhaps…
“A Chinese Ghost Story” (1987): Looking Into the Dark, Choosing the Light
“Life’s journey, where beautiful dreams stretch as long. Along the path, wind and frost lash against the withering face. In this mortal world, in how many directions do dreams drift? Searching for the love amidst infatuated fantasies. The road ahead blurs as the one fades away with it.” The opening verse of the eponymous theme…
“The Kid” (1999): Lost Treasure Found and Restored
Coinciding with the Hong Kong Pop Culture Festival 2026, the 25th anniversary of the Hong Kong Film Archive, and what would have been Leslie Cheung’s 70th birthday, The Kid took centre stage at the Grand Theatre of the Hong Kong Cultural Centre. Director Jacob Cheung Chi-leung and the main cast – Ti Lung, Lam Ka-tung,…
JIB DREAM FANMEET 6.5 – Behind the Scenes with EmiBonnie: A Journey in GL Dramas – Exclusive Interview
In the last few years, Thailand’s GL dramas have grown from a niche corner of television into one of the most fascinating developments in Asian pop culture. Shows like Gap, 23.5, Blank, The Secret of Us and Us have all helped expand the genre in different ways, proving that GL dramas can tell honest stories…
“We’re Nothing at All” Review: A Fierce, Tender Cry for Society’s Most Vulnerable
On Valentine’s Day, a bus explodes in the middle of Hong Kong. The bomb is planted by a gay couple who kill themselves along with most of the passengers, leaving behind charred bodies and severed limbs. This shocking scene opens We’re Nothing at All, a brutal yet compassionate film that gives voice to some of…
Raindance Film Festival Returns to London with Bold Line-Up of Indie Voices and Global Stories
The Raindance Film Festival returns to London from 17–26 June for its 34th edition, presenting one of its most wide-ranging programmes to date. This year’s programme includes 85 narrative and documentary features alongside 112 short films, with more than half of the feature selection coming from first-time directors. The festival also expands its immersive strand,…
79th Cannes Film Festival: “We Are Aliens” Review
Japanese animation is in a class of its own, with a style that is hard to match. While many countries produce visually impressive animated films, very few reach the same level of thoughtful storytelling that Japanese animation delivers. Its real strength is not just the beauty of the artwork or the technical skill behind it,…
79th Cannes Film Festival: “9 Temples to Heaven” Review
Thai cinema has always held a special place in Asian filmmaking, even if Western audiences overlooked it for many years. Early Thai films were often built around folklore, ghost stories, romance, and family drama, mixing spirituality with everyday life. During the 1970s and 1980s, Thai films were extremely popular in their domestic market, but internationally…
Tibetan Film Festival London Announces New Weekly Film Season with Kagyu Samye Dzong London
Tibet Film Festival London has announced a new Tibetan Film Season in partnership with Kagyu Samye Dzong London, bringing a month-long programme of screenings, discussions, and special guests to Bermondsey this spring. Running weekly from 21 May to 11 June, the series builds on the success of the festival’s 2025 edition, which ended with a…
“Perfect Crown” Review: A Coffee Table Drama
He’s everywhere. Perhaps not on quite as many shop windows and skincare advertisements in Seoul as Park Bo Gum, but pretty-faced actor Byeon Woo Seok is hardly avoidable in the metropolis. But can he live up to the powerhouse beside him in Perfect Crown? Multi-hyphenate and nation’s princess IU displays Seong Hui-ju as a strong-willed…
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