The Udine Far East Film Festival surely knows how to delight its audience. This year we have seen many superb films, including Rebound, a South Korean production written by Kim Eun-hee, who is also responsible for Netflix’s Kingdom series, and directed by Jang Hang-jun (Forbidden). The inspiring film tells a story of a high school…
Tag: Asian Cinema
25th Far East Film Festival: In Conversation with He Shuming, Hong Huifang & Anthony Chen of “Ajoomma”
The Udine Far East Film Festival is probably one of the most prestigious and important film festivals in Europe that promotes Asian films over 9 days. This year, FEFF celebrated its 25th anniversary with Ajoomma as the Opening Night film. During the festival, we had the pleasure of speaking with He Shuming (director), Hong Huifang…
25th Far East Film Festival: In Conversation with Cheng Wei-hao & Jin Pai-lunn of “Marry My Dead Body”
In 2019, Taiwan became the first state in Asia to legalise same-sex marriage. It was a landmark moment in the region for LGBTQ+ rights, and since then it has also become an important part of pop culture – Cheng Wei-hao’s Marry My Dead Body is a prime example. The comedy, which was shown at the…
25th Far East Film Festival: “Rebound” Review
Busan’s Jungang High School basketball team is in disarray and about to come to a stop until a new coach, Kang Yang-hyeon (Ahn Jae-hong: Time to Hunt, Fabricated City) is brought in to turn the team around. Jang Hang-jun’s new film, Rebound, not only follows Kang’s journey but also of his protégés: Bae Gyoo-hyeok (Jeong…
In Conversation with Jeon Do-yeon and Jung Kyung-ho of “Crash Course in Romance”
Crash Course in Romance proved that a K-drama doesn’t need extraordinary special effects to reach the hearts of its viewers. Produced by Studio Dragon, the 16-episode show was broadcasted on tvN (available on Netflix in the UK) in the slot previously occupied by the hit drama Alchemy of Souls: Light and Shadow — a challenge…
In Conversation with Mond Tanutchai, a Thai Actor and Model
2022 was quite a successful year, not only for Thai cinema, but also for the country’s TV releases. One of Bangkok’s biggest television production companies, GMMTV, which also acts as a talent agency for many popular artists, has produced a healthy amount of drama series, many of which are available in the UK through GMMTV’s…
“Aloners” Review
There’s nothing groundbreaking in the idea that, rather than bringing us closer together, technology has left us more divided and isolated than ever before. There have been several films in recent years that have criticised the dehumanisation of the digital age, and almost all of them have invited immediate parody (most notably, Jason Reitman’s Men,…
6th London East Asia Film Festival: “Not Out” Review
Hear the chants, hear the screams… Baseball is one of the most popular sports in South Korea. With an incredible atmosphere in the stadium during every game, baseball has become more than just a sport. Although what we see on the pitch is exciting, what happens behind closed doors is another story. The journey of…
6th London East Asia Film Festival: “Keep Rolling” Review
On the set of her 2017 film Our Time Will Come, Ann Hui is slapping wet mud all across the backs of actors. Her other hand is clutching a walking cane. She stands in the pouring rain, puffing cigarettes, and yelling orders. Reaching 70 years of age – and spending the past 40 plus years working in film…
23rd Udine Far East Film Festival: “My Missing Valentine” Review
Taiwanese romantic comedies can touch one’s heart regardless of their Rotten Tomatoes rating or the narrative itself. And despite the genre, the country’s cinema has always highlighted its culture and people against the wonderful landscapes and pictorial compositions of local architecture. Although rom-coms are filled with cliches, some storylines make the audience analyse their own…
VIEW OF THE ARTS 