The Hong Kong International Film Festival has celebrated its 50th anniversary this year. This year’s special programme, “Revisiting Chinese Cinema: The Beginning of a New Journey,” features a curated selection of Chinese-language films for which HKIFF served as a gateway to international recognition for both the films and their filmmakers. The 1980s were a golden…
Tag: cinema
50th Hong Kong International Film Festival: “We Are Nothing At All” Review
Between 2023 and 2025, Herman Yau churned out seven China–Hong Kong co-productions and mainland Chinese films, including large-scale, action-packed blockbusters like the gritty customs thriller Customs Frontline (2024) and the trilogy capper The White Storm 3: Heaven or Hell (2023). These films demonstrate Yau’s capacity to produce commercially satisfying spectacles with remarkable speed and energy,…
To Be Seen, Yet Unheard: Mahesh Menon Explores Family and Identity in “A Letter for Tomorrow” – Exclusive Interview
When the Indian filmmaker Mahesh Menon brought his moving short A Letter for Tomorrow to this year’s BFI Flare: London LGBTQIA+ Film Festival, I was truly taken aback by how wonderful the film was. Drawing from his own upbringing in a matriarchal household, Menon explores the complexity within families – particularly how love is often…
Far East Film Festival 28 Unveils 76-Film Programme, Opening with Anthony Chen’s “We Are All Strangers”
What began in the spring of 1998 as a bold and somewhat puzzling experiment has grown into one of Europe’s most important showcases of Asian cinema. When the Centro Espressioni Cinematografiche (CEC) in Udine shifted its focus from Italian retrospectives to a programme dedicated to Hong Kong films, few could have predicted the outcome. Yet…
28th Far East Film Festival: FEFF Campus Returns for Its 12th Edition, Welcoming Ten Aspiring Voices to the Global Film Community
The Far East Film Festival Campus initiative continues to bring film lovers together from across the globe, and if that sounds like the beginning of a great film, it’s because, in many ways, it is. As the 28th Far East Film Festival returns from April 24 to May 2, 2026, the FEFF Campus celebrates its…
40th BFI FLARE: London LGBTQIA+ Film Festival: “Satisfaction” Review
Something is unsettling about Satisfaction, not because it shocks in obvious ways, but because it does not offer simple answers. It stays in discomfort, in silence, in the spaces where language fails, and in doing so, it asks one of the most difficult questions a film can pose: how do we make sense of our…
Yuen Woo-ping’s “Blades of the Guardian” Review
In Blades of the Guardians, director Yuen Woo-ping returns to the wuxia tradition with a film that emphasises the physical and moral foundations of the genre. Known internationally for influencing the style of cinematic combat – just look at The Matrix trilogy and Crouching Tiger, Hidden Dragon – Yuen treats the film as a way…
28th Far East Film Festival: The New Poster is Here!
For a few days each spring, Udine turns into the hub of Asian cinema. The premieres, the talks, the packed schedules, the chance encounters between artists and audiences. These are the visible mechanics of any festival. But what truly gives it meaning is something less tangible: the people. A festival audience is a living, breathing…
The 40th Edition of the BFI Flare Will Run from 18-29 March 2026 at BFI Southbank
Now in its 40th year, the BFI Flare: London LGBTQIA+ Film Festival returns to BFI Southbank with one of its most expansive and internationally minded editions to date. Long considered a key fixture of the global queer film calendar, the festival continues to balance discovery with legacy, pairing brave new voices with restorations, talks and…
76th Berlin International Film Festival: “Iván & Hadoum” Review
Hadoum, a Moroccan woman, and Iván, a Spanish trans man, are colleagues in a greenhouse in southern Spain, where they fall in love. However, this love is tough. It has to face problems such as class and race, and, most practically, it interferes with Iván’s promotion. Behind it all lies the expectation of his entire…
VIEW OF THE ARTS 