The jidaigeki, or samurai period drama, has been done a thousand times in a thousand different ways, but it can still feel refreshing like Kazuya Shiraishi’s Bushido. Based on rakugo, or comic storytelling, the narrative follows Kakunoshin Yanagida (Tsuyoshi Kusanagi) a humble ronin who has fallen on hard times and lives in a small community…
Tag: cinema
26th Far East Film Festival: “The Roundup: Punishment” Review
In The Roundup: Punishment Ma Dong-seok strikes again… and again, and again in this rip-roaring action thriller that’ll have everyone’s hearts pumping. The fourth film in the franchise, Punishment sees detective Ma Seok-do (Ma) try to deliver just that after young Korean man Jo Sung-jae is killed in the Philippines and his mother begs the…
26th Far East Film Festival: In Conversation with Hur Jin-ho, Director of “A Normal Family”
Hur Jin-ho, renowned as the “master of Korean melodrama”, is in his element in his latest production, A Normal Family. Drawn from the pages of the Dutch author Herman Koch’s gripping best-seller The Dinner, the film revolves around two married – and morally very different – brothers who are forced to confront a harrowing family…
26th Far East Film Festival: In Conversation with Samantha Lee, Director of “Rookie” – Exclusive Interview
Volleyball can be a space for romance, at least that’s what director Samantha Lee has imagined in her Filipino coming-of-age sports film Rookie. The movie opens with Pat Tingjuy’s Ace being transferred to a new school, she may be a skilled basketball player but the nuns at her academy think the sport turns girls into…
26th Far East Film Festival: “The Midsummer’s Voice” Review
Peking Opera is a Chinese art form with a rich history spanning over hundreds of years. Drawing inspiration from diverse sources including the music and dance traditions of the Han Dynasty (206 BC-220 AD), the performing arts of the Tang Dynasty (618-907), the Southern Opera during the Song Dynasty (960-1279), and the Kunqu Opera in…
26th Far East Film Festival: “Ransomed” Review
Where film demands dramaticism, realism is forfeited, Ransomed is the latest piece of Korean cinema to take a bit of history and whip up a fun action flick around it. The true story it’s based on of a Korean diplomat’s abduction in Lebanon is like a small meringue, sitting atop a thick lemon tart of…
38th BFI Flare: London LGBTQIA+ Film Festival – In Conversation with Han Hae-in of “Heavy Snow”
In films, where stories are displayed like flower petals in the wind, there’s a special place where characters come alive, showing us what it means to be human. And one of the shining stars is Han Hae-in. She’s known for her amazing talent in bringing characters to life on screen. Before she portrayed Su-an in…
38th BFI Flare: London LGBTQIA+ Film Festival – In Conversation with Heo Ha-yeon, Director of “Nobody Knows”
While LGBTQIA+ cinema is still not seen in a favourable light in South Korea, many filmmakers dare to venture into that territory, and rightfully so, whether they are part of the community or not. Although not all of these films can be screened in the country itself, international festivals, including BFI Flare: London LGBTQIA+ Film…
38th BFI Flare: London LGBTQIA+ Film Festival – “Nobody Knows” Review
Despite significant progress in recent years, the LGBTQIA+ community continues to face discrimination and marginalisation in Asia and around the world. While some countries have made strides towards equality, many from the community still live in fear of persecution, violence, and rejection by society due to their sexual orientation or gender identity. In Asia, cultural…
74th Berlin International Film Festival: “REAS” Review
As we plough through this cursed era of remakes and unnecessary sequels, any film or TV series that features a brand new story is a blessing – and there’s nothing more original than real life. Lola Arias directs Argentinian self-proclaimed hybrid musical REAS, which sources its material from the charming inmates of Ezeiza prison a…
VIEW OF THE ARTS 