“Evil Does Not Exist” Review

The final moments of Evil Does Not Exist have proven divisive, but you won’t be able to successfully argue that Ryusuke Hamaguchi hasn’t tried to prepare you for them. From the opening moments to his latest effort, a prize winner at the recent Venice and London film festivals, it feels like the director is consciously…

74th Cannes Film Festival: “Bloody Oranges” Review

There’s a reason the “everything is connected” brand of big screen storytelling is widely mocked. Although the likes of Robert Altman’s Short Cuts and Paul Thomas Anderson’s Magnolia managed to find profundity in the semi-interlinking lives of vast ensembles, films such as Paul Haggis’ Crash and the collected works of Alejandro González Iñárritu have made…

72nd Cannes Film Festival: Sick, Sick, Sick Review

They say you never forget your first love. In this case, teenager Silvia (Luiza Kosovski) is so adamant to get back her Romeo that she turns to bloody sacrifice and revival voodoo. Brazilian filmmaker Alice Furtado’s feature-length debut is a swirling fever dream of obsession, mourning, and a cold apathy towards the world. Taking a…

What Walaa Wants Review

‘Be careful what you wish for’ is the ominous phrase told to children all over the world when they are desperately grasping for something they don’t quite understand. In this case, young Walaa Khaled Fawzy Tanji wants nothing more than to gain a firm grasp of power in a world she has absolutely no authority…

The 70th Edinburgh International Film Festival: The Man Who Was Thursday

The Man Who Was Thursday by the Hungarian writer/director Balazs Juszt received its world premiere at the 2016 Edinburgh International Film Festival. The film features an international cast of actors that have already made a name for themselves – François Arnaud (The Borgias), Jordi Molla (Colombiana, Riddick), Ana Ularu (Serena) and Mark Ivanir (Homeland, A…