Kenshi Yonezu, a Japanese shape-shifting creative force, seems to treat genre and medium as gentle suggestions rather than fixed rules. From his early days as a Vocaloid producer, HACHI, to becoming one of Japan’s most influential singer-songwriters, Yonezu has built a reputation for transforming emotions and sound into cinema. And now, he has done it…
Tag: cinema
20th London Korean Film Festival: “Frosted Window” Review
Kim Jong-kwan is surely one of a kind as a filmmaker. His work reveals a keen sensitivity to the human condition. His cinema has always been a dialogue between isolation and empathy, often exploring how people drift in and out of each other’s lives, guided by memory and the delicate tremour of feeling. From Worst…
20th London Korean Film Festival: In Conversation with Park Ri-woong, Director of “The Land of Morning Calm”
The Land of Morning Calm, directed by Park Ri-woong, is a powerful portrait of a fading Korean fishing village and the emotional dislocation of its residents. Supported by moving performances from Yoon Joo-sang, Yang Hee-kyung, and Khazsak Kramer, the film explores generational divides, economic decline, and the complex, often unspoken tensions surrounding immigration and arranged…
20th London Korean Film Festival: In Conversation with Kim Jong-kwan, Director of “Frosted Window”
Within the subtle intimacy of Kim Jong-kwan’s films lies an entire universe. His cinema captures the delicate spaces between people; the brief moments of longing, love, hesitation, and loss. The South Korean filmmaker, a graduate of the Seoul Institute of the Arts, has built a reputation for making films of profound emotional delicacy. From his…
Tibet Film Festival London 2025: “MOLA” Review
Every once in a while, a documentary comes along that makes you pause and reflect on your own life – and how you move through the world. Shown at this year’s Tibet Film Festival in London, MOLA: A Tibetan Tale of Love and Loss is a beautiful portrait of family and faith, and a story…
Tibet Film Festival London 2025: “Wisdom of Happiness” Review
In today’s fast-changing and uncertain world, wisdom, happiness, and compassion are no longer just ideals; they’re essential tools for finding balance and connection. Wisdom today isn’t simply about intellect or knowledge; it’s about discernment, the ability to see clearly through the noise and distraction that fill modern life, and to make choices that serve not…
ALULA Film Festival: In Conversation with JI Qiuyu, Director of “The Homeless”
Chinese filmmaker Ji Qiuyu approaches the world with gentleness. Her documentary The Homeless captures the lives of those existing on the margins of society, people who have drifted between belonging and isolation, freedom and invisibility. Rather than portraying homelessness as a tragedy, Ji observes it as a complex human condition. Shot with a compassionate eye,…
2025 ALULA Film Festival: “As the Water Flows” Review
One wonders what the title As the Water Flows truly means – at least until the film’s final moments, when its philosophy finally surfaces. Water moves forward, never looking back, yet somehow it reflects everything it passes. Life, Bian Zhuo seems to say, is much the same: a continuous current defined by the memories we…
Yamagata International Documentary Film Festival 2025: “SPI” Review
SPI (烤火房で見るいくつかの夢) directed by Sayun Simung, reveals a touching Tayal family story centring around ‘gaga’, certain routines and rituals that sustain solidarity and peace among Tayal people. After the death of Grandpa Wilang, Grandma Yabay can hardly break away from the sadness, followed by the pregnancy of the underage granddaughter, the camera unfolds how Sayun’s…
How Annemarie Jacir Brings Palestine’s Forgotten Uprising to the Screen – “Palestine 36” Review
Some filmmakers tell stories, and some preserve entire histories through their work. Palestinian filmmaker Annemarie Jacir belongs to the latter. Across her extraordinary career, from Salt of This Sea to When I Saw You and Wajib, Jacir’s work comes from a place of honesty, an understanding of her people’s struggle, and a refusal to let their…
VIEW OF THE ARTS 