Yamagata International Documentary Film Festival 2025: “SPI” Review

SPI (烤火房で見るいくつかの夢) directed by Sayun Simung, reveals a touching Tayal family story centring around ‘gaga’, certain routines and rituals that sustain solidarity and peace among Tayal people. After the death of Grandpa Wilang, Grandma Yabay can hardly break away from the sadness, followed by the pregnancy of the underage granddaughter, the camera unfolds how Sayun’s…

69th BFI London Film Festival: “High Wire” Review

Hong Kong director Calif Chong, best known for her acclaimed 2019 short Underneath, delivers something different with High Wire. High Wire speaks to something human and widely felt: the way immigration reshapes people, their hopes, their fears, and their relationships with the next generation. For many immigrant parents, the act of starting over comes with…

69th BFI London Film Festival: “Island of the Winds” Review

Hsu Ya-Ting’s Island of the Winds is a heart-rending documentary that immerses the viewer in the often-overlooked lives of the elderly residents of Lesheng Sanatorium, a former leper colony on the outskirts of Taipei. From the very first moments, the film builds an intimate closeness to its subjects, allowing their memories and struggles to surface…

69th BFI London Film Festival: “ChaO” Review

From the endlessly imaginative Japanese studio STUDIO 4°C comes ChaO, a stunning animated feature that marries slapstick comedy with sweet romance, all told through a burst of colour and hand-drawn beauty that feels almost radical in today’s digital-first era. Director Yasuhiro Aoki, making his feature debut, draws on decades of experience in character animation to…

Jia Zhangke and the Pingyao International Film Festival

Jia Zhangke is a name inseparable from contemporary cinema, especially this year. Over the past few months, he has appeared at major festivals worldwide, championing cross-cultural exchange: first the Taipei Film Festival in June, then Venice in August, Busan in mid-September, and finally his own Pingyao International Film Festival (PYIFF) at the end of the…

30th Busan International Film Festival: “I Only Rest in the Storm” Review

Pedro Pinho’s I Only Rest in the Storm is a hypnotic and textured look at power, identity, and longing, set in a tense West African city. The film follows Sergio, an environmental engineer working on a controversial road between the desert and the forest, as it explores the tangled realities of neo-colonialism, expat privilege, and relationships in…