“Dog Day Evening” (2026) Review: Absurdity of Ordinary Desperation

Dog Day Evening (2026) was released nationwide immediately after its premiere at the Shanghai International Film Festival’s Asian New Talent section. It is director Mak Tin Shu’s directorial debut. Although a “new talent” as a director, Mak was not really new or fresh to the Hong Kong film industry. His scripts for Trivisa (2016) and…

K-EXPO France 2026: Celebrating K-Culture in Paris

K-EXPO France 2026 arrived alongside the Parisian heat on 16-19th June, exploring ‘All About K-Culture’. Over four days in the heart of summer, the event proved to be much more than a simple celebration of the Korean wave. Built around the theme “A Journey of K-Culture, Connected as One,” the expo, spanning publishing and K-food…

“Ah Girl”: A Heartwarming Look at Family and Loneliness – Review

Inspired by director Ang Geck Geck Priscilla’s own childhood experiences and long-held reflections, the Singaporean filmmaker’s debut feature Ah Girl follows the resilient Swee Swee (Ah Girl) as she journeys through a childhood scarred by hardship and bruises. Set in the 1990s, the 7-year-old Ah Girl (Xuanjing ONG), and her younger sister Ah Tian (Sydney…

Chen Sicheng’s “Being Towards Death”: Finding Life in Its Final Chapter

Chen Sicheng, a Chinese film director, producer, and screenwriter, is behind some of China’s biggest commercial successes, from the hugely popular Detective Chinatown films to thrillers such as Lost in the Stars and Sheep Without a Shepherd. His films often focus on crime, mystery and moral choices, that is why Being Towards Death comes as…