Warning: Spoilers ahead. Set amongst the fairytale-like rural landscapes of Belgium, Anthony Schatteman’s Young Hearts takes us into the lives of Elias (Lou Goossens) and Alexander (Marius De Saeger) as they pry open their feelings for one another – and navigate first love. With musical magic from Ruben De Gheselle, the film suffocates you with…
Tag: film
74th Berlin International Film Festival: “Through Rocks and Clouds” (Raiz) Review
Premiering in the Generation Kplus section at this year’s Berlin Film Festival, Through Rocks and Clouds weaves a poignant if predictable tale of tradition and industrialization, set in the rural Peruvian community of Rumicancha. At the heart of this Peruvian-Chilean coproduction lies Feliciano (Alberth Merma), an innocent 8-year-old alpaca herder whose world revolves around football…
The Human Rights Watch Film Festival to Open with “Mediha” by Hasan Oswald
The Human Rights Watch Film Festival, now in its 28th year in London, has revealed a line-up of 10 award-winning, international feature-length films in partnership with Barbican Cinema and Rich Mix and generously supported by players of People’s Postcode Lottery. The festival programme, presented at the Barbican and Rich Mix from 14-22 March, 2024, includes…
17th Asian Film Awards Nominations Announced
Celebrating its 17th anniversary, the Asian Film Awards (AFA) has unveiled the nominees for its 16 award categories ahead of the ceremony scheduled for March 10, 2024 (Sunday). The Asian Film Awards Academy (AFAA), established by the Busan, Hong Kong, and Tokyo International Film Festivals, aims to honour excellence in Asian cinema. AFAA plays an…
“Perfect Days” Review
It seems nearly impossible for a director from the West to shoot Tokyo from anything other than a tourist’s perspective. Sofia Coppola’s Lost in Translation and Gaspar Noé’s Enter the Void are seen as the two biggest offenders in this regard, with the Japan Times review of the latter opening with the pithy claim that:…
“Evil Does Not Exist” Review
The final moments of Evil Does Not Exist have proven divisive, but you won’t be able to successfully argue that Ryusuke Hamaguchi hasn’t tried to prepare you for them. From the opening moments to his latest effort, a prize winner at the recent Venice and London film festivals, it feels like the director is consciously…
18th London Korean Film Festival: “Dr. Cheon and The Lost Talisman” Review (Closing Night)
Spoilers ahead Demons and spirits conjure two emotions for movie lovers: it either piques their interest to watch or has them running away in fear. The opening credits of 2023’s Dr. Cheon and The Lost Talisman do just that with the cryptic quote, “Seoul Kyung is a talisman with spells and glyphs written on Hanji…
18th London Korean Film Festival: “Hail to Hell” Review
In recent years, South Korean independent cinema has been taking the world by storm. Just look at Past Lives – a hidden gem of the country’s cinema. Another interesting film that is worth one’s attention is Lim Oh-jeong‘s Hail to Hell. Screened at this year’s London Korean Film Festival, the compelling film takes us on…
8th London East Asia Film Festival: “Concrete Utopia” Review (Closing Night Film)
The essence of what makes us human is a complex and multi-layered pyramid of emotions, experiences, and moral choices. Human nature contains elements of both light and darkness and is often revealed during times of crisis, when the balance between empathy and selfishness can sway. The pressures of a crisis can bring out our instinct…
London Korean Film Festival Unveils Exciting 2023 Program
The London Korean Film Festival (LKFF) is back with its 18th edition, and this year promises to be a special one as it commemorates the 40th Anniversary of the Korean Academy of Film Arts (KAFA). The festival, known for its dedication to presenting the best of Korean cinema, is set to run from November 2nd…
VIEW OF THE ARTS 