The final moments of Evil Does Not Exist have proven divisive, but you won’t be able to successfully argue that Ryusuke Hamaguchi hasn’t tried to prepare you for them. From the opening moments to his latest effort, a prize winner at the recent Venice and London film festivals, it feels like the director is consciously…
Tag: film festival
18th London Korean Film Festival: “Dr. Cheon and The Lost Talisman” Review (Closing Night)
Spoilers ahead Demons and spirits conjure two emotions for movie lovers: it either piques their interest to watch or has them running away in fear. The opening credits of 2023’s Dr. Cheon and The Lost Talisman do just that with the cryptic quote, “Seoul Kyung is a talisman with spells and glyphs written on Hanji…
18th London Korean Film Festival: “Hail to Hell” Review
In recent years, South Korean independent cinema has been taking the world by storm. Just look at Past Lives – a hidden gem of the country’s cinema. Another interesting film that is worth one’s attention is Lim Oh-jeong‘s Hail to Hell. Screened at this year’s London Korean Film Festival, the compelling film takes us on…
8th London East Asia Film Festival: “Concrete Utopia” Review (Closing Night Film)
The essence of what makes us human is a complex and multi-layered pyramid of emotions, experiences, and moral choices. Human nature contains elements of both light and darkness and is often revealed during times of crisis, when the balance between empathy and selfishness can sway. The pressures of a crisis can bring out our instinct…
The London Korean Film Festival Returns for Its 18th Edition with a Special Focus
The London Korean Film Festival (LKFF) is set to return for its 18th edition from November 2 to November 16, 2023. Held in cinema venues across London, this year’s festival promises to be bigger and better than ever, A Glimpse into Korean Cinema With the distinction of hosting the most extensive program of Korean cinema…
80th Venice International Film Festival: In Conversation with Nehir Tuna, Director of “Yurt”
The 80th Venice International Film Festival recently featured an intriguing and thought-provoking film, Yurt. In our exclusive interview with Nehir Tuna, we delved into the director’s background and the deep influence it had on the making of the aforementioned film. As the writer-director of the project, Tuna shared his deep personal connection to the story,…
80th Venice International Film Festival: “Making Of” Review
Warning: Spoilers ahead. A fantastical orchestral piece plays over a black screen. The opening credits introduce us to Making Of before throwing us into a rain-doused action scene. Without looking at the blurb one might’ve easily assumed this was the movie they were watching, but before too long, a cameraman is angrily pushed away and…
Celine Song’s “Past Lives” Review
The mundane joys of people watching have seldom been caught onscreen as effectively as they have in the opening sequence of Past Lives, the lauded directorial debut of playwright Celine Song. Entering the film from the perspective of two unseen, unnamed narrators, we’re immediately tasked with guessing the relationship dynamics between three people sitting at…
“December”: Crime, Redemption, and Second Chances – In Conversation with Shogen, Ryo Matsuura, and Film’s Producer, Mina Moteki
December, directed by Anshul Chauhan, is a powerful drama that, hypothetically, delves into the Japanese justice system while exploring the possibilities of offering a second chance to criminals. It does so through the story of prisoner Kana (Ryo Matsuura), a young woman who killed her classmate a decade earlier and whose case is being brought…
76th Cannes Film Festival: “Tiger Stripes” Review
You don’t need a gross visual metaphor to articulate the horrifying transformation we all undergo during puberty – but it certainly can help. The history of genre cinema is rife with adolescent allegories, from the straightforward telekinesis metaphor of Stephen King’s Carrie, to the superpowered changes that Peter Parker goes through to become a “man”…
Lee Jeong-eun on Producing “Ditto”: From Script to Screen
Being a female film producer today means that you are part of a growing movement in the film industry to increase diversity and representation behind the camera. Historically, the film industry has been male-dominated, and women have faced significant barriers to enter and advance in this field. However, in recent years, there has been a…
Behind the Scenes of “Phantom”: An Exclusive Interview with Director Lee Hae-young
Lee Hae-young is a South Korean director and screenwriter, known for his 2015 film “The Silenced”, a mystery thriller set in 1938 during the Japanese colonial era in Korea. His new work, “Phantom”, is a spy drama set in 1933 that tells the thrilling story of a group of Korean independence fighters who band together…
“Return to Seoul” Review
Now playing in UK cinemas, Cambodian-French filmmaker Davy Chou’s award-winning adoption drama, Return to Seoul, is a cathartic exploration of identity and one’s sense of place in the world. Beginning in medias res, the story introduces Freddie, a 25-year-old Korean-French woman who has ended up in Seoul after a logistical mishap. Given that she does…
25th Far East Film Festival: In Conversation with Kai Ko & Kent Tsai of “Bad Education”
Welcome to this exclusive interview with Kent Tsai and Kai Ko, two of the talented individuals behind “Bad Education”, a Taiwanese film that was shown at the 25th Far East Film Festival. Kent Tsai stars in the film as the lead character, Wang, a high school student who falls victim to intense peer pressure and…
VIEW OF THE ARTS 