Rocks Review

There has always been an enormous pressure on teenage girls to mature beyond their years, much more so than their male counterparts. This is usually pinned down to either biology or the existence of archaic gender roles but nevertheless, it results in girls spending more time picking up on the caregiving and domestic responsibilities often…

70th Berlin International Film Festival: Yalda – A Night For Forgiveness Review

It took a while for Iranian cinema to come to light, nonetheless, this doesn’t mean that there haven’t been any works worth paying attention to. With Abbas Kiarostami, Rakhshān Banietemad, Bahram Beyzai, Dariush Mehrjui, and Asghar Farhadi paving the way for worldwide recognition, Iranian cinema became a frequent ‘guest’ at many prestigious film festivals. Although…

69th Berlin Film Festival: Hellhole Review

Hellhole, Bas Devos’ second feature, is a draining and frank look at the trauma inflicted upon Brussels residents following the March 2016 bombings. It delivers an episodic and fragmented depiction of a hollow, sceptical and disconnected city – filled with individuals struggling in their own way with grief and isolation. Hellhole follows the story of…

13th London Korean Film Festival: Old Love Review

After living in Canada for many years, Yoon-hee returns to her home country of South Korea to visit her mother who has dementia. Taking a cigarette break outside Incheon airport, she runs into Jung-soo, an old college sweetheart. The pair is surprised to see each other and agrees to catch-up about the last twenty years…

The 61st BFI London Film Festival: Journey’s End Review

Journey’s End, by English playwright R.C Sherriff, was performed for the first time at the Apollo Theatre in 1928 with Lawrence Olivier – an emerging young actor at the time – in one of the lead roles. Within a short period of time the show was moved to a West End theatre where it ran for…

The 61st BFI London Film Festival: Devil’s Freedom Review

What makes us humane? What are the characteristics that we value and aspire to, the qualities that make us human rather than brutish? These are the questions that one might ask oneself after watching Devil’s Freedom by Everardo González, a Mexican writer, cinematographer and filmmaker, known for his extraordinary documentaries, including Monsenor: The Last Journey of Oscar Romero (2011)…

Santiago Paladines’ The Fare: Short Film Review

Somewhere in the USA, the police comes into “a drop house” – a hideaway where illegal immigrants are being kept by traffickers before transporting them deeper into the country – and what they witness is a plastic rubbish bag, filled with human waste. In it, there is a man who is barely alive, and next…