A study in humanity might be one good way of summarising Mehmet Akif Büyükatalay’s 2025 film Hysteria. Where is the line between a righteous act and a performative spectacle? Büyükatalay attempts to answer the question when a dishonourable burning of a Quran for a shoot sparks conflict between parties, and Hysteria becomes a meta film…
Tag: horror
Cinema and Myth: Riar Rizaldi Discusses “Monisme” and the Enigma of Mount Merapi – Exclusive Interview
Indonesian multimedia artist and filmmaker Riar Rizaldi, known for his blend of documentary fiction and essay films, has recently completed his latest work, Monisme (2024). The film delves into themes of duality—human and non-human, nature and technology—while questioning their interconnectedness. Born from years of extensive research on Mount Merapi, one of Indonesia’s most significant volcanoes,…
Eight Stories, Endless Nightmares: Inside Thai’s “Terror Tuesday: The Extreme” – TV Show Review Part Two
And here is our part two… Dear Granny Unlike the others, this episode’s opening feels particularly refreshing. It begins with Montha (Bee Namthip Jongrachatawiboon) taking a tranquil walk by a lake with her mother. The scene is relaxing, almost lulling viewers into a false sense of security, as they stroll under a crisp blue sky…
Eight Stories, Endless Nightmares: Inside Thai’s “Terror Tuesday: The Extreme” – TV Show Review Part One
What could possibly be better than one Thai horror movie? How about eight? Terror Tuesday: The Extreme is an anthology series created by Chayan Laodtrakool, inspired by the popular radio program Angkhan Khlumpong (Terror Tuesday). Each episode focuses supposedly on true-life horror stories, all set across Thailand. While our binge-watching culture might tempt you to…
19th London Korean Film Festival: “The Guest” Review
The slasher genre has long been a cornerstone of horror cinema, terrifying audiences with its iconic villains, suspenseful storytelling, and gruesome kills. From the masked killers of Halloween to the supernatural terrors of A Nightmare on Elm Street, slashers continue to draw viewers into their blood-soaked worlds. At the heart of the slasher genre lies…
19th London Korean Film Festival: “The Truth Beneath” Review
Lee Kyoung-mi’s The Truth Beneath, a superb dark thriller, served as the Opening Night film at the London Korean Film Festival in 2016, and now it has returned to the festival once more. Co-written by Park Chan-wook, The Truth Beneath takes audiences on a harrowing journey through the grimy underbelly of politics and the personal…
9th London East Asia Film Festival: “Exhuma” Review
What do a Feng Shui master, a mortician, and a shaman all have in common? No, this isn’t the setup for a terrible joke; instead, it’s the main plot of the Korean supernatural horror film Exhuma. Although the film starts off slowly, it effectively introduces the main characters and their backgrounds. Additionally, it provides an…
9th London East Asia Film Festival: Jang Jae-hyun and Producer Kim Young-min on Their Latest Project “Exhuma”
Jang Jae-hyun, a South Korean film director and screenwriter, earned acclaim for his work on blockbuster films such as The Priests (2015), Svaha: The Sixth Finger (2019), and Exhuma (2024). His career took off when he worked as an assistant director on the period drama Masquerade (2012). Jang Jae-hyun was also praised for his short…
26th Far East Film Festival: “The Guest” Review
The slasher genre has long been a cornerstone of horror cinema, terrifying audiences with its iconic villains, suspenseful storytelling, and gruesome kills. From the masked killers of Halloween to the supernatural terrors of A Nightmare on Elm Street, slashers continue to draw viewers into their blood-soaked worlds. At the heart of the slasher genre lies…
“Home for Rent” Review
2023’s Home for Rent might not immediately strike you as a terrifying choice for your watchlist, but as the old adage goes, “Don’t judge a book by its cover.” In this case, the same applies to a Netflix thumbnail. Thai horror films have a knack for unsettling Western audiences by expertly blending jump scares and…
VIEW OF THE ARTS 