Netflix’s Kingdom Review

Where does the fascination with the undead come from? Is it the love of horror, the repellent zombies’ behaviour or the taste of adrenaline-filled adventure? Hard to say, as the zombie-loving audience varies as much as the character of zombies themselves. Zombies have been present in cinema for quite some time, but they only found…

3rd London East Asia Film Festival: Dark Figure of Crime Review

Why are there so many unsolved/ghost murder cases out there in the world? Experts might work on as many as they can take on, yet they still cannot solve the crimes that go unnoticed. To the victims’ families, the agony of not knowing what happened to their loved ones is beyond one’s comprehension. But how do…

62nd BFI London Film Festival: The Spy Gone North Review

The historical drama is a tale that is constantly over-shadowed by its real-life counterpart’s undoing. No matter which way the film may elude to direct itself, the foreboding presence of certain real-life individuals makes clear to an audience which way the film will steer. This is especially the case when dealing with the infamous Kim…

LEAFF 2018 Pre-Fest Screening: Along with the Gods: The Two Worlds Review

South Korean cinema is known for its wealth of excellent thrillers, horror films, historical dramas and melodramas, but its fantasy genre has been known more for the misses than the hits; it always seemed that the industry found itself slightly out of its depth when it took on the more massive, epic-level projects – or…