30th Busan International Film Festival: “Hana Korea” Review

For many North Korean defectors, crossing the border is not the end of a story but the start of another kind of struggle. Frederik Sølberg’s Hana Korea, co-written with Sharon Choi, goes straight into that fraught second chapter. The film is a great story of adaptation and loss: how the comforts of a new country…

78th Locarno Film Festival: “The Fin” Review

Korean cinema continues to prove its global dominance not just through streaming platforms, but through visionary films that challenge and expand the very language of cinema. With The Fin, director Park Syeyoung delivers a haunting work, an unsettling look at control and survival in the aftermath of ideology. Set in a post-unification, ecologically devastated Korea,…

“Xohee Loved Ones”: Han So-hee’s First European Fan Meeting to Take Place in Frankfurt, London, Paris and Berlin

Han So-hee is, without a doubt, one of the most compelling and sought-after talents in the Korean entertainment industry today. With an acting journey that began humbly, from appearing in music videos and taking on supporting roles in series like Money Flower (2017), 100 Days My Prince (2018), and Abyss (2019), Han’s rise to fame has been quite impressive. Her breakout…

78th Cannes Film Festival: “A Useful Ghost” Review

Ratchapoom Boonbunchachoke’s debut feature, A Useful Ghost, is a superb, part political reflection, part gentle love story, and part quirky ghost tale, all set in glowing fog and the remains of an industrial past. Playful and bold, the film moves through themes of death, memory, and class with ease, guided by a director who clearly…