20th London Korean Film Festival: In Conversation with Park Ri-woong, Director of “The Land of Morning Calm”

The Land of Morning Calm, directed by Park Ri-woong, is a powerful portrait of a fading Korean fishing village and the emotional dislocation of its residents. Supported by moving performances from Yoon Joo-sang, Yang Hee-kyung, and Khazsak Kramer, the film explores generational divides, economic decline, and the complex, often unspoken tensions surrounding immigration and arranged…

Tibet Film Festival London 2025: “MOLA” Review

Every once in a while, a documentary comes along that makes you pause and reflect on your own life – and how you move through the world. Shown at this year’s Tibet Film Festival in London, MOLA: A Tibetan Tale of Love and Loss is a beautiful portrait of family and faith, and a story…

Explore East Asian Cinema at LEAFF 2025: Full Film Lineup

The London East Asia Film Festival (LEAFF) returns this autumn to celebrate its 10th anniversary. From 23 October to 2 November 2025, the festival will once again transform the capital into a hub of cinematic celebration, bringing over 40 films from across the region to some of London’s most iconic venues. Over the past decade,…

Celebrating 20 Years of Korean Film: LKFF 2025

Now in its landmark 20th year, the London Korean Film Festival (LKFF) returns from 5 to 18 November 2025. Organised by the Korean Cultural Centre UK (KCCUK) and supported by the Korean Film Council, this year’s anniversary edition will unfold across BFI Southbank, Ciné Lumière, and ICA London, offering an ambitious lineup. The festival opens…

30th Busan International Film Festival: “Hana Korea” Review

For many North Korean defectors, crossing the border is not the end of a story but the start of another kind of struggle. Frederik Sølberg’s Hana Korea, co-written with Sharon Choi, goes straight into that fraught second chapter. The film is a great story of adaptation and loss: how the comforts of a new country…

78th Locarno Film Festival: “The Fin” Review

Korean cinema continues to prove its global dominance not just through streaming platforms, but through visionary films that challenge and expand the very language of cinema. With The Fin, director Park Syeyoung delivers a haunting work, an unsettling look at control and survival in the aftermath of ideology. Set in a post-unification, ecologically devastated Korea,…