27th Far East Film Festival: “Love in the Big City” Review

If you never thought a plastic uterus model would make a good plant, prepare yourself for some redecorating. The stolen emblem sitting atop glass marbles as the years tick away is the most profound object you’ll see in the whole of E.oni’s Love in the Big City, a film that, despite the assumed subject matter,…

27th Far East Film Festival: “Dark Nuns” Review

What is the cardinal rule of any horror film? That it needs to be scary, of course. Unfortunately, exorcist drama Dark Nuns seems to have forgotten that. Directed by Kwon Hyuk-jae and a spin-off to The Priests, Dark Nuns follows Sister Giunia (Song Hye-kyo), an unordained nun who moonlights as an exorcist. She is one…

Fresh Boy Group NEWBEAT On Living Up To Their Name

We’ve witnessed pineapple hair, wolf howls, and crazier; with K-Pop, there’s no limit to how weird and wonderful things can get. Newest kids on the block NEWBEAT have decided to spark their debut with something very fitting to their name: real hiccups recorded on their predebut release of the same name. At a recent press…

39th BFI Flare: London LGBTQIA+ Film Festival: Actor Han Gi-chan Discusses “The Wedding Banquet” – Exclusive Interview

Andrew Ahn’s The Wedding Banquet revitalises Ang Lee’s 1993 classic, bringing a contemporary lens to themes of love, the weight of tradition, the complexities of identity, and societal expectations. While the original film followed a dutiful Taiwanese son confronting the pressures of tradition, Ahn’s version expands the narrative, introducing new characters and conflicts that reflect…

39th BFI Flare: London LGBTQIA+ Film Festival – “Summer’ Camera” Review

Having its world premiere at this year’s BFI Flare: London LGBTQIA+ Film Festival, Summer’s Camera is the feature directorial debut of Divine Sung, a South Korean filmmaker. The film depicts a wonderful and subtle exploration of youth and love. It also captures the theme of self-discovery while painting a portrait of a high school student,…