What is the cardinal rule of any horror film? That it needs to be scary, of course. Unfortunately, exorcist drama Dark Nuns seems to have forgotten that. Directed by Kwon Hyuk-jae and a spin-off to The Priests, Dark Nuns follows Sister Giunia (Song Hye-kyo), an unordained nun who moonlights as an exorcist. She is one…
Tag: Korean Cinema
The World Premiere of “The Square”, the Animated Romantic Masterpiece, to Close the 27th Far East Film Festival in Udine
The curtain will officially close on the 27th edition of the Far East Film Festival with the world premiere of The Square, a beautifully made South Korean animated love story. Described as a poetic and visually enchanting work, The Square makes its global debut in Udine. In contrast, and perfectly complementing the tone of the…
27th Far East Film Festival Announces Its Lineup – A True Celebration of Asian Cinema
The 27th edition of the Far East Film Festival (FEFF) in Udine continues its long-standing mission of showing contemporary Asian cinema. With a lineup of 75 films from 11 countries – including 7 world premieres, 15 international premieres, 20 European premieres, and 19 Italian premieres – the festival presents a diverse mix of popular, auteur,…
Fresh Boy Group NEWBEAT On Living Up To Their Name
We’ve witnessed pineapple hair, wolf howls, and crazier; with K-Pop, there’s no limit to how weird and wonderful things can get. Newest kids on the block NEWBEAT have decided to spark their debut with something very fitting to their name: real hiccups recorded on their predebut release of the same name. At a recent press…
39th BFI Flare: London LGBTQIA+ Film Festival: In Conversation with Lee Yujin, Director of “Manok” – Exclusive Interview
South Korean filmmaker Lee Yujin brings a refreshing and nuanced perspective to the screen with Manok, a film that beautifully combines humour with moving themes of acceptance and belonging. Set in the rural village of Iban-ri, Manok follows its titular character as she returns to her hometown in the wake of her mother’s passing, only…
39th BFI Flare: London LGBTQIA+ Film Festival: Actor Han Gi-chan Discusses “The Wedding Banquet” – Exclusive Interview
Andrew Ahn’s The Wedding Banquet revitalises Ang Lee’s 1993 classic, bringing a contemporary lens to themes of love, the weight of tradition, the complexities of identity, and societal expectations. While the original film followed a dutiful Taiwanese son confronting the pressures of tradition, Ahn’s version expands the narrative, introducing new characters and conflicts that reflect…
39th BFI Flare: London LGBTQIA+ Film Festival: In Conversation with Kim Si-a – Exclusive Interview
At just 16, Kim Si-a proved she is a truly talented young actress with her superb performance in Summer’s Camera, directed by Divine Sung. She beautifully portrayed the emotions of a teenager experiencing grief and self-discovery through her first love. After the world premiere at the 39th BFI Flare: London LGBTQIA+ Film Festival, we sat…
39th BFI Flare: London LGBTQIA+ Film Festival: In Conversation with Divine Sung, Director of “Summer’s Camera” – Exclusive Interview
Divine Sung is a filmmaker based in Seoul with an MFA in Film Directing from the Korea National University of Arts. She has directed short films such as True Story (2018) and My Boyfriend and Our Yesterday (2023). Summer’s Camera is her feature film debut. Summer’s Camera had its world premiere at the 39th BFI…
39th BFI Flare: London LGBTQIA+ Film Festival – “Summer’ Camera” Review
Having its world premiere at this year’s BFI Flare: London LGBTQIA+ Film Festival, Summer’s Camera is the feature directorial debut of Divine Sung, a South Korean filmmaker. The film depicts a wonderful and subtle exploration of youth and love. It also captures the theme of self-discovery while painting a portrait of a high school student,…
39th BFI Flare: London LGBTQIA+ Film Festival: “Manok” Review
Every metal guitar wants a powerful amplifier. Yang Mal-bok is delightfully animated in Lee Yu-jin’s Manok, a film where zest is absolutely mandatory. Shortly after the first frame’s bright rainbow flag passes us by, we meet the titular Manok, a lively and impulsive bar owner who hosts LGBTQIA+ parade parties in Seoul. In a bold…
39th BFI Flare: London LGBTQIA+ Film Festival Announces Its Full Programme
The 39th edition of BFI Flare: London LGBTQIA+ Film Festival will take place at BFI Southbank, featuring screenings, special events, and DJ nights. The festival, known for its significance in the LGBTQIA+ film calendar, is divided into three thematic strands: HEARTS, BODIES, and MINDS. This year’s programme includes 34 World Premieres, 56 features, 1 series,…
“By the Stream” Review
There is no easy entry point to the work of Hong Sang-soo. Even though his style remains consistent, his Eric Rohmer-inspired narratives frequently built around off-the-cuff drunken conversations and meandering walks around Seoul, there’s a density to the storytelling not always immediately apparent. His earlier work could often be in conversation with itself, with metatextual…
19th London Korean Film Festival: “The Guest” Review
The slasher genre has long been a cornerstone of horror cinema, terrifying audiences with its iconic villains, suspenseful storytelling, and gruesome kills. From the masked killers of Halloween to the supernatural terrors of A Nightmare on Elm Street, slashers continue to draw viewers into their blood-soaked worlds. At the heart of the slasher genre lies…
19th London Korean Film Festival: “The Truth Beneath” Review
Lee Kyoung-mi’s The Truth Beneath, a superb dark thriller, served as the Opening Night film at the London Korean Film Festival in 2016, and now it has returned to the festival once more. Co-written by Park Chan-wook, The Truth Beneath takes audiences on a harrowing journey through the grimy underbelly of politics and the personal…
