While LGBTQIA+ cinema is still not seen in a favourable light in South Korea, many filmmakers dare to venture into that territory, and rightfully so, whether they are part of the community or not. Although not all of these films can be screened in the country itself, international festivals, including BFI Flare: London LGBTQIA+ Film…
Tag: Korean Cinema
38th BFI Flare: London LGBTQIA+ Film Festival – “Nobody Knows” Review
Despite significant progress in recent years, the LGBTQIA+ community continues to face discrimination and marginalisation in Asia and around the world. While some countries have made strides towards equality, many from the community still live in fear of persecution, violence, and rejection by society due to their sexual orientation or gender identity. In Asia, cultural…
Lee Young-ae on Her Role of Cha Se-eum in “Maestra: Strings of Truth” – Exclusive Interview
Disney+’s Maestra: Strings of Truth, a Studio Dragon production, turned out to be one of the most interesting series of this season. The show follows the life of Cha Se-eum, a gifted violinist and conductor, played by Lee Young-ae, who battles a genetic illness. As the series progresses, Se-eum returns to South Korea, intending to…
Sung Hoon Dives into His Role of Seo Do-guk in Viki’s “Perfect Marriage Revenge” – Exclusive Interview
Meeting a Korean actor whose career has graced screens for over a decade is a rare and thrilling experience. Recently, I had the chance to sit down with the super lovely Sung Hoon in Seoul, where we explored his latest role in Viki’s Perfect Marriage Revenge. As we settled, Sung Hoon provided insights into the…
18th London Korean Film Festival: “Dr. Cheon and The Lost Talisman” Review (Closing Night)
Spoilers ahead Demons and spirits conjure two emotions for movie lovers: it either piques their interest to watch or has them running away in fear. The opening credits of 2023’s Dr. Cheon and The Lost Talisman do just that with the cryptic quote, “Seoul Kyung is a talisman with spells and glyphs written on Hanji…
18th London Korean Film Festival: “Hail to Hell” Review
In recent years, South Korean independent cinema has been taking the world by storm. Just look at Past Lives – a hidden gem of the country’s cinema. Another interesting film that is worth one’s attention is Lim Oh-jeong‘s Hail to Hell. Screened at this year’s London Korean Film Festival, the compelling film takes us on…
18th London Korean Film Festival: In Conversation with Lim Oh-jeong, Director of “Hail to Hell”
In modern cinema, where certain themes are revisited time and again, director Lim Oh-jeong manages to breathe new life into the well-worn subject of bullying with her debut feature film, Hail to Hell. In our exclusive interview with View of the Arts, Lim shares insights into the film’s narrative choices, character development, and cinematographic approach. …
8th London East Asia Film Festival: “Concrete Utopia” Review (Closing Night Film)
The essence of what makes us human is a complex and multi-layered pyramid of emotions, experiences, and moral choices. Human nature contains elements of both light and darkness and is often revealed during times of crisis, when the balance between empathy and selfishness can sway. The pressures of a crisis can bring out our instinct…
8th London East Asia Film Festival: “The Boys” Review (Opening Night Film)
The Boys is the final film in Chung Ji-young’s “true story trilogy” which began in 2012 with Broken Arrow (also known as Unbowed) later followed by Black Money in 2019. The three films deal with social issues and in particular focus on prosecutorial and police misconduct within the South Korean justice system and the ordinary…
8th London East Asia Film Festival: “Life and Death of the Hollywood Kid” Review
Chung Ji-young has carved out a distinguished place for himself in Korean cinema with a unique and versatile filmmaking style that is marked by its dynamism, social commentary, and a keen sense of narrative craftsmanship. The director’s films are often lauded for their social and political relevance, in which he fearlessly addresses pertinent issues and societal…
“Cobweb” Review
The 1970s were a particularly dark period for the Korean film industry. Shortly after South Korean filmmakers began to gain international recognition in the decade prior, a period of intense censorship followed, which hit an authoritarian peak in the seventies – at the time, many speculated there was no country in the world whose government…
London Korean Film Festival Unveils Exciting 2023 Program
The London Korean Film Festival (LKFF) is back with its 18th edition, and this year promises to be a special one as it commemorates the 40th Anniversary of the Korean Academy of Film Arts (KAFA). The festival, known for its dedication to presenting the best of Korean cinema, is set to run from November 2nd…
The London Korean Film Festival Returns for Its 18th Edition with a Special Focus
The London Korean Film Festival (LKFF) is set to return for its 18th edition from November 2 to November 16, 2023. Held in cinema venues across London, this year’s festival promises to be bigger and better than ever, A Glimpse into Korean Cinema With the distinction of hosting the most extensive program of Korean cinema…
Lee Jeong-eun on Producing “Ditto”: From Script to Screen
Being a female film producer today means that you are part of a growing movement in the film industry to increase diversity and representation behind the camera. Historically, the film industry has been male-dominated, and women have faced significant barriers to enter and advance in this field. However, in recent years, there has been a…
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