78th Locarno Film Festival: “The Fin” Review

Korean cinema continues to prove its global dominance not just through streaming platforms, but through visionary films that challenge and expand the very language of cinema. With The Fin, director Park Syeyoung delivers a haunting work, an unsettling look at control and survival in the aftermath of ideology. Set in a post-unification, ecologically devastated Korea,…

“By the Stream” Review

There is no easy entry point to the work of Hong Sang-soo. Even though his style remains consistent, his Eric Rohmer-inspired narratives frequently built around off-the-cuff drunken conversations and meandering walks around Seoul, there’s a density to the storytelling not always immediately apparent. His earlier work could often be in conversation with itself, with metatextual…

26th Far East Film Festival: “Exhuma” Review

What do a Feng Shui master, a mortician, and a shaman all have in common? No, this isn’t the setup for a terrible joke; instead, it’s the main plot of the Korean supernatural horror film Exhuma. Although the film starts off slowly, it effectively introduces the main characters and their backgrounds. Additionally, it provides an…

“JUNG_E” Review

Most contemporary sci-fi blockbusters proudly wear their influences on their sleeve. In a movie culture where franchises are dominant, any nods to beloved films of the genre’s past can help gravitate an audience’s attention towards any original project; as much as science fiction thrives on originality, when making movies on this scale, it doesn’t hurt…