3rd London East Asia Film Festival: The Witch: Part 1. The Subversion Review

After the rather minor success, accompanied by mostly unfavourable critiques of his 2017 feature V.I.P, a film where mediocre imagination ruled the depictions of cruel treatment of women, which turned it into a prosaic, occasionally sickening narrative, Park Hoon-jung, who penned The Unjust (2010) and I Saw the Devil (2010), has finally made a proper…

3rd London East Asia Film Festival: In Conversation with Park Hoon-jung and Kim Da-mi of ‘The Witch – Part 1. The Subversion’

Thanks to his distinctive and thoughtful writing style Park Hoon-jung has attracted a vast number of international and domestic fans for his work on Kim Jee-woon’s I Saw the Devil and Ryoo Seung-wan’s The Unjust. He then traded in his writing skills for directing, and in 2013 he made New World, an intriguing film that is arguably one of the most…

3rd London East Asia Film Festival: Miss Baek Review

Child abuse is a serious problem in South Korea, where the Western trend of permissive education and upbringing never made an entirely successful landing, and where (light) corporal punishment will still hardly draw the attention of authorities, which has lead to horrific numbers of child abuse cases that have been growing at an alarming rate….

3rd London East Asia Film Festival: Dark Figure of Crime Review

Why are there so many unsolved/ghost murder cases out there in the world? Experts might work on as many as they can take on, yet they still cannot solve the crimes that go unnoticed. To the victims’ families, the agony of not knowing what happened to their loved ones is beyond one’s comprehension. But how do…