39th BFI FLARE: London LGBTQIA+ Film Festival: “After the Snowmelt” Review

Taiwanese-born director Yi-Shan Lo’s latest documentary, After the Snowmelt (2024), which premiered at the 2024 Visions du Réel festival in the Burning Lights Competition, and was also shown at this year’s BFI Flare: London LGBTQIA+ Film Festival, is an emotional and visually striking exploration of grief, survival, and identity.  After the Snowmelt challenges traditional storytelling…

39th BFI Flare: London LGBTQIA+ Film Festival – “Summer’ Camera” Review

Having its world premiere at this year’s BFI Flare: London LGBTQIA+ Film Festival, Summer’s Camera is the feature directorial debut of Divine Sung, a South Korean filmmaker. The film depicts a wonderful and subtle exploration of youth and love. It also captures the theme of self-discovery while painting a portrait of a high school student,…

39th BFI Flare: London LGBTQIA+ Film Festival: “Manok” Review

Every metal guitar wants a powerful amplifier. Yang Mal-bok is delightfully animated in Lee Yu-jin’s Manok, a film where zest is absolutely mandatory.  Shortly after the first frame’s bright rainbow flag passes us by, we meet the titular Manok, a lively and impulsive bar owner who hosts LGBTQIA+ parade parties in Seoul. In a bold…

38th BFI Flare: London LGBTQIA+ Film Festival – In Conversation with Su I-Hsuan, Director of “Who’ll Stop the Rain”

Taiwan’s politics has always included a range of issues such as relations with mainland China, sovereignty, democracy, and human rights. These issues have sparked significant debate and activism within Taiwanese society, driving movements for greater autonomy, democratic reforms, and social justice.  Looking at the cinematic narratives, some stories combine personal lives with politics in a…

BFI Flare: LGBTQ+ Film Festival: “Rurangi” Review

No matter where you go in the world, rural areas are almost always more traditionally conservative than metropolitan ones. You’ve read the countless think pieces on behalf of the “forgotten America” that voted for Trump to the shock of the cities, and you’ve seen how the Conservative party has a stronghold on the British countryside,…

BFI Flare: LGBTQ+ Film Festival: “Boy Meets Boy” Review

Much like how Pulp Fiction spawned an entire genre of poor imitators, Andrew Haigh’s 2011 film Weekend has a lot to answer for. The beautiful simplicity of that whirlwind gay romance seems effortless in the hands of such an accomplished filmmaker, to the extent that countless other filmmakers have seen it and assumed they too…