South Korean filmmaker Kim Mi-jo has never been particularly interested in making life easier for her characters, especially when their experiences raise uncomfortable questions about injustice, family relationships and the ways people respond to suffering. Her first feature, Gull (2020), followed an older woman who, after being sexually assaulted, finds herself fighting not only for…
Tag: London Korean Film Festival
21st London Korean Film Festival: “The Journey to Gyeong-ju” Review
For those who have lost someone to a violent crime, the passage of time does not necessarily bring the consolation that others so readily expect, especially when the person responsible has completed their sentence and returned to ordinary life, while the bereaved are left to contend with consequences that no legal judgement can undo. In…
21st London Korean Film Festival: In Conversation With Yoon Ga-eun (Director) and Jang Hye-jin (Actress) of “The World of Love”
From Guest (2011) and Sprout (2013) to The World of Us and The House of Us, Yoon Ga-eun’s films have consistently returned to childhood as a space of emotional intensity rather than innocence. With The World of Love, her third feature, she continues this exploration, but in a more unsettling form. Explaining the origins of…
21st London Korean Film Festival: “The World of Love” Review
Yoon Ga-eun has spent much of her career exploring the lives of children and teenagers, paying attention to the feelings, insecurities and difficult experiences that adults often fail to recognise or take seriously. From her early short films Guest (2011) and Sprout (2013) to her acclaimed features The World of Us and The House of…
21st London Korean Film Festival 2026: Korean Cinema in the Spotlight
The London Korean Film Festival returns this November for its 21st edition, bringing together established directors, emerging filmmakers and some of Korean cinema’s most recognisable actors for two weeks of screenings, premieres and conversations. For more than two decades, the London Korean Film Festival (LKFF) has introduced British audiences to the remarkable variety of stories…
20th London Korean Film Festival: “Frosted Window” Review
Kim Jong-kwan is surely one of a kind as a filmmaker. His work reveals a keen sensitivity to the human condition. His cinema has always been a dialogue between isolation and empathy, often exploring how people drift in and out of each other’s lives, guided by memory and the delicate tremour of feeling. From Worst…
20th London Korean Film Festival: “The Land of Morning Calm” Review
Set against the subdued beauty of a Korean fishing village, The Land of Morning Calm, written and directed by Park Ri-woong, is a restrained and moving exploration of displacement and the tensions beneath everyday life. This is not a story about national identity or grand political themes; it is about people: ordinary and flawed. The Land…
20th London Korean Film Festival: In Conversation with Kim Jong-kwan, Director of “Frosted Window”
Within the subtle intimacy of Kim Jong-kwan’s films lies an entire universe. His cinema captures the delicate spaces between people; the brief moments of longing, love, hesitation, and loss. The South Korean filmmaker, a graduate of the Seoul Institute of the Arts, has built a reputation for making films of profound emotional delicacy. From his…
20th London Korean Film Festival: In Conversation with Yeon Woo-jin of “Frosted Window”
Yeon Woo-jin is one of South Korea’s most versatile and compelling actors. Rising from a background in modeling to presence on screen, Yeon’s early recognition came with his role in Arang and the Magistrate (2012), which earned him a Best New Actor nomination. Since then, he has consistently demonstrated an ability to inhabit a wide…
Celebrating 20 Years of Korean Film: LKFF 2025
Now in its landmark 20th year, the London Korean Film Festival (LKFF) returns from 5 to 18 November 2025. Organised by the Korean Cultural Centre UK (KCCUK) and supported by the Korean Film Council, this year’s anniversary edition will unfold across BFI Southbank, Ciné Lumière, and ICA London, offering an ambitious lineup. The festival opens…
19th London Korean Film Festival: “The Guest” Review
The slasher genre has long been a cornerstone of horror cinema, terrifying audiences with its iconic villains, suspenseful storytelling, and gruesome kills. From the masked killers of Halloween to the supernatural terrors of A Nightmare on Elm Street, slashers continue to draw viewers into their blood-soaked worlds. At the heart of the slasher genre lies…
19th London Korean Film Festival: “The Truth Beneath” Review
Lee Kyoung-mi’s The Truth Beneath, a superb dark thriller, served as the Opening Night film at the London Korean Film Festival in 2016, and now it has returned to the festival once more. Co-written by Park Chan-wook, The Truth Beneath takes audiences on a harrowing journey through the grimy underbelly of politics and the personal…
19th London Korean Film Festival: In Conversation with Kim Hye-young, Director of “It’s Okay!”
With the 19th London Korean Film Festival on the horizon, audiences will be able to experience many wonderful films, and one of those films is It’s Okay! (Also known as It’s Okay It’s Okay It’s Okay! – 괜찮아 괜찮아 괜찮아!), a tender coming-of-age story that presents Kim Hye-young’s impressive directorial debut. First premiering internationally on…
19th London Korean Film Festival: “It’s Okay!” Review
It’s Okay!, the directorial debut of Kim Hye-young, is a coming-of-age film centered around the trials and tribulations of In-young (Lee Re), who in a cruel twist of fate loses her mother and sole caretaker during a triumphant performance of a traditional fan dance by the Seoul International Arts Company. As the beat of the…
