27th Far East Film Festival: “My Friend An Delie” Review

Childhood could be compared to a butterfly’s wing. So vital to the creature’s navigation yet so delicate that any human could tear it and impair it forever, the similar fragility of a young mind is not something that should ever be ill-treated. Director and actor Dong Zijian’s My Friend An Delie, in all its care…

“Cloud” Review: Capitalism and Alienation in the Digital Age

Few directors are as skilled as Japanese auteur Kiyoshi Kurosawa when it comes to articulating the alienation and paranoia of the digital age. One of his first international breakouts, already decades deep into his career, was 2001’s Pulse, a distressing ghost story about the gradual supernatural invasion of the online world which managed to accurately…

39th BFI Flare: London LGBTQIA+ Film Festival: Actor Han Gi-chan Discusses “The Wedding Banquet” – Exclusive Interview

Andrew Ahn’s The Wedding Banquet revitalises Ang Lee’s 1993 classic, bringing a contemporary lens to themes of love, the weight of tradition, the complexities of identity, and societal expectations. While the original film followed a dutiful Taiwanese son confronting the pressures of tradition, Ahn’s version expands the narrative, introducing new characters and conflicts that reflect…

39th BFI Flare: London LGBTQIA+ Film Festival – “Việt and Nam” Review

If you’re a Vietnamese filmmaker, presenting a story to the world about two star-crossed lovers nicknamed Viet and Nam is all but asking the audience to interpret the trajectory of their relationship as a metaphor for the nation itself. The third film from writer/director Truong Minh Quy attempts to avoid this straightforward categorization due to…