One Fluid Night LGBTQIA+ Film Festival: A Weekend of Love, Life, and Identity

Launched in September 2023 at Genesis Cinema in East London, One Fluid Night (OFN) is a groundbreaking film event that presents a competition of short films alongside performances by singers, dancers, and cabaret artists, all celebrating the multifaceted themes of life, love, and identity through the lens of international LGBTQIA+ cinema. After a successful year…

Um Tae Goo: Finding Depth in Every Role – Exclusive Interview

To be an actor is to walk a fine line between reality and illusion, between self and character, and nowhere is this delicate dance more visible than in roles that challenge and stretch the frame of identity. The beauty of acting lies in the ability to entertain and in the subtle journey of transformation –…

Herman Yau on His Latest Work, “Customs Frontline”, and Filmmaking

Herman Yau’s latest film, Customs Frontline, premiered globally at the FEFF 26 in Udine this past May and is set for its Asian premiere in Hong Kong this July. A maverick director known for his prolific output, Yau was born in China in 1961 and studied Film at Hong Kong Baptist University. Over a remarkable…

Discussing “Alienoid: Return to the Future” with Director Choi Dong-hoon and Producer Ahn Soo-hyun – Exclusive Interview

I first interviewed Choi Dong-hoon, one of South Korea’s leading directors and screenwriters, in 2015 at the BFI London Film Festival, where he was promoting his espionage action film Assassination. Choi, renowned for his consistent box-office success, spent several years developing the script for Alienoid, a sci-fi fantasy action film. After premiering Alienoid at the…

77th Cannes Film Festival: “When the Light Breaks” Review

Under the moody lilac skies of the Northern hemisphere, comes an 80-minute life sampler of the hopeful and free-spirited youths of Iceland, directed by Rúnar Rúnarsson. There’s only really two plot points of the whole film, which would explain its length; the rest is filled in with the characters’ – particularly Una’s – emotional conflicts…

77th Cannes Film Festival: “Universal Language” Review

The latest absurdist gem sitting behind the oh-so-frightening curtain of non-English cinema is Cannes Directors’ Fortnight: Audience Award winner Universal Language, directed by and starring Matthew Rankin. In Persian and French, the film lands us in the snow-laid streets of Winnipeg, starting off in the French immersion school attended by Nazgol (Saba Vahedyousefi), Negin (Rojina…

77th Cannes Film Festival: “Locust” Review

Every generation has its angry young men, rebelling against the cultural conformity of the era. From James Dean in Rebel Without a Cause and Marlon Brando in The Wild One pushing back against the stifling conservatism of the Eisenhower age, to the various turn-of-the-century studies of disaffected adults stilted by middle-class life, these are snapshots…

77th Cannes Film Festival: “Twilight of the Warriors: Walled In” Review

Kowloon Walled City, a military fort turned ungovernable residential area in Hong Kong that was demolished in 1993, feels like the product of a screenwriter’s imagination run wild. As depicted in Twilight of the Warriors: Walled In, the city’s self-sustaining ecosystem is almost entirely shut off from the real world, its 35,000+ residents living and…