SPI (烤火房で見るいくつかの夢) directed by Sayun Simung, reveals a touching Tayal family story centring around ‘gaga’, certain routines and rituals that sustain solidarity and peace among Tayal people. After the death of Grandpa Wilang, Grandma Yabay can hardly break away from the sadness, followed by the pregnancy of the underage granddaughter, the camera unfolds how Sayun’s…
Tag: movies
How Annemarie Jacir Brings Palestine’s Forgotten Uprising to the Screen – “Palestine 36” Review
Some filmmakers tell stories, and some preserve entire histories through their work. Palestinian filmmaker Annemarie Jacir belongs to the latter. Across her extraordinary career, from Salt of This Sea to When I Saw You and Wajib, Jacir’s work comes from a place of honesty, an understanding of her people’s struggle, and a refusal to let their…
Joss and Gawin on “My Golden Blood”, Working Together and Their Fanmeet in Europe – Exclusive Interview
For fans of Thai BL dramas, seeing your favourite actors up close is an experience unlike any other. When Joss and Gawin arrived in London for their first European fan-meeting tour, many of us were quite excited. Fans had spent hours immersed in My Golden Blood, following the story of Mark, a vampire struggling with…
69th BFI London Film Festival: “Left-Handed Girl” Review
Left-Handed Girl is one of those films that makes your heart ache and smile at the same time. In her stunning solo debut, Taiwanese filmmaker Shih-Ching Tsou tells the story of a family who, in the face of struggle, confront painful secrets yet ultimately rediscover what matters most: their love for one another. Following a…
69th BFI London Film Festival: In Conversation with Shih-Ching Tsou, Director of “Left-Handed Girl”
For years, Shih-Ching Tsou has been the heartbeat behind some of contemporary cinema’s most human stories. Born and raised in Taipei, she moved to New York after graduating from Fu Jen Catholic University, earning her master’s in Media Studies at The New School. Her career began with Take Out (2004), a small, vérité-style indie she…
69th BFI London Film Festival: In Conversation with Calif Chong, Isabella Wei and Matthew P. Scott of “High Wire”
Hong Kong director Calif Chong’s debut feature, High Wire, makes a striking entrance, a film that is at once humorous, compelling, and real. Best known for her acclaimed 2019 short Underneath, Chong ventures into feature territory with a story that examines the delicate balance of duty and desire, the weight of parental expectation, and the…
69th BFI London Film Festival: “High Wire” Review
Hong Kong director Calif Chong, best known for her acclaimed 2019 short Underneath, delivers something different with High Wire. High Wire speaks to something human and widely felt: the way immigration reshapes people, their hopes, their fears, and their relationships with the next generation. For many immigrant parents, the act of starting over comes with…
69th BFI London Film Festival: In Conversation with Hsu Ya-Ting, Director of “Island of the Winds”
Born in Taiwan shortly before the end of martial law, Hsu Ya-Ting has become an important voice in Taiwanese documentary cinema. Her films weave together the personal and the political, exploring how memory and place shape people’s lives. With Island of the Winds, she tells an intimate story of the elderly residents of Losheng Sanatorium,…
69th BFI London Film Festival: “Island of the Winds” Review
Hsu Ya-Ting’s Island of the Winds is a heart-rending documentary that immerses the viewer in the often-overlooked lives of the elderly residents of Lesheng Sanatorium, a former leper colony on the outskirts of Taipei. From the very first moments, the film builds an intimate closeness to its subjects, allowing their memories and struggles to surface…
69th BFI London Film Festival: “ChaO” Review
From the endlessly imaginative Japanese studio STUDIO 4°C comes ChaO, a stunning animated feature that marries slapstick comedy with sweet romance, all told through a burst of colour and hand-drawn beauty that feels almost radical in today’s digital-first era. Director Yasuhiro Aoki, making his feature debut, draws on decades of experience in character animation to…
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