Indian women filmmakers have been behind some truly remarkable independent films in recent years. The talent has always been there; the opportunities have not always followed quite so easily, especially when it comes to making that difficult second film. That is one of the reasons it is so exciting to see Anuparna Roy back at…
Tag: movies
83rd Venice Film Festival: “One Minute to Midnight” Review
After I finished watching Nicolas Pariser’s One Minute to Midnight, one question popped into my head: what happens when a man reaches middle age and begins looking back at how he has treated women, loved them, misunderstood them, and perhaps taken certain things for granted? It is a subject worth exploring, especially at a time…
83rd Venice Film Festival: “What Belongs to Others” Review
Polish cinema has had a strong relationship with the Venice International Film Festival for decades, but its presence on the Lido has been noticeable in recent years. In 2022, Damian Kocur’s Bread and Salt (Chleb i sól) competed in Orizzonti and won the Special Jury Prize, with Kocur turning an ordinary summer in a small…
83rd Venice Film Festival: “Children of the Monkey” Review
Becoming a parent changes your life, but becoming the parent of a child with a disability can change it in ways nobody can fully prepare you for. There are appointments, routines, worries about the future and, depending on the child’s needs, a level of physical and emotional care that can continue for a long time….
Asian Cinema at the 70th BFI London Film Festival
The BFI London Film Festival has unveiled the programme for its 70th edition, and Asian cinema will once again form an essential part of the celebration. From long-awaited works by some of the continent’s most respected filmmakers to daring debuts, intimate documentaries and large-scale genre spectacles, this year’s selection reflects the extraordinary breadth of filmmaking…
The A Festival Is Bringing Asia to Paris – And It’s Much Bigger Than You Think
Paris is hardly short of festivals, but on 24 and 25 October 2026, something rather different is taking shape at the Paris Event Center. The A Festival is setting out to bring several corners of Asian entertainment into the same space: K-pop and T-pop, P-pop, Japanese rock and pop, Chinese artists, Thai hip-hop, music from…
Trapped Inside the Hive Mind: “Colony” Review
Yeon Sang-ho, the director of Train to Busan (2016) and Peninsula (2020), once again ventures into the zombie film genre he is well-versed in. In Colony, the zombie outbreak takes place in an enclosed high-rise in Seoul. The visceral horror of the film is enhanced by its choreography, sound design, as well as its claustrophobic…
“Perhaps Love” (2005) & Peter Chan’s Path on Climbing Mountains, Walking on Thin Ice
In the last section of Close Encounters with Master Filmmakers – Movie Talks: Peter Ho-sun Chan hosted at the Hong Kong Film Archive, it is revealed that Chan had just wrapped up the latest film he worked on and caught a morning plane from Chengdu to Hong Kong to attend the talk on the same…
“Dog Day Evening” (2026) Review: Absurdity of Ordinary Desperation
Dog Day Evening (2026) was released nationwide immediately after its premiere at the Shanghai International Film Festival’s Asian New Talent section. It is director Mak Tin Shu’s directorial debut. Although a “new talent” as a director, Mak was not really new or fresh to the Hong Kong film industry. His scripts for Trivisa (2016) and…
Director Ang Geck Geck Priscilla’s Journey in Creating “Ah Girl” – Exclusive Interview
Having shared the spotlights in Rotterdam, Hong Kong, and ahead of its premiere in Shanghai, director Ang Geck Geck Priscilla’s debut feature Ah Girl, 13 years in the making, presents a bittersweet self-healing childhood of a 7-year-old curious girl Swee Swee (Xuanjing ONG) in the post-divorce turbulence of her parents. Ah Girl comes from a…
“Ah Girl”: A Heartwarming Look at Family and Loneliness – Review
Inspired by director Ang Geck Geck Priscilla’s own childhood experiences and long-held reflections, the Singaporean filmmaker’s debut feature Ah Girl follows the resilient Swee Swee (Ah Girl) as she journeys through a childhood scarred by hardship and bruises. Set in the 1990s, the 7-year-old Ah Girl (Xuanjing ONG), and her younger sister Ah Tian (Sydney…
Raindance Icon Award 2026 Recipients: MIRIAM MARGOLYES and LLOYD KAUFMAN + EDDIE COCHRAN RECEIVES POSTHUMOUS ICON AWARD
Actress, writer, and comedian Miriam Margolyes and American filmmaker Lloyd Kaufman have been named recipients of the 2026 Raindance Icon Awards, part of the festival’s 34th edition running from 17–26 June in London. Margolyes will receive her award at the Raindance Opening Gala on 17 June, following the UK premiere of April X (dir. Michel…
Chen Sicheng’s “Being Towards Death”: Finding Life in Its Final Chapter
Chen Sicheng, a Chinese film director, producer, and screenwriter, is behind some of China’s biggest commercial successes, from the hugely popular Detective Chinatown films to thrillers such as Lost in the Stars and Sheep Without a Shepherd. His films often focus on crime, mystery and moral choices, that is why Being Towards Death comes as…
JIB DREAM FANMEET 6.5 – Apo and Mile Reflect on Playing Trin and Tanwa in “Shine” – Exclusive Interview
Apo Nattawin and Mile Phakphum have become a key screen pairing in Thai entertainment over recent years. From KinnPorsche to Man Suang and now Shine, they have drawn consistent attention for their performances. Their latest project takes them into new creative ground, mixing romance, political tension, comedy, and social themes set in late-1960s Thailand. In…
