A photograph of a young woman posing in a swimsuit with her friends at Dadaepo beach in the 1980s might not seem important, but for South Korean filmmaker Mokya Shin, it changed the direction of Easter, his first feature documentary. The woman in the photograph was Saekja, now 68, who had spent much of her…
Tag: movies
70th BFI London Film Festival: “Easter” Review
Sometimes, a photograph is all that remains of someone’s life, especially when their story was never considered important enough to be written down or remembered by others. Early in Mokya Shin’s Easter, Saekja sits with an old photo album, looking back at a younger version of herself and the women who once occupied that world…
70th BFI London Film Festival: In Conversation with Shalini Adnani, Director of “Our Share of Sand”
Shalini Adnani knows what it means to belong to more than one place. Born and raised in Chile in a Sindhi family of Indian origin before later moving to London, the writer-director grew up with different cultures and, as she tells us, “two different value systems”. That experience found its way into her first feature,…
70th BFI London Film Festival: “Our Share of Sand” Review
Maya comes to India to spend time with her father, and soon finds herself being asked to protect him. For a twelve-year-old who has lived in Britain, the reunion brings the promise of getting to know a parent from whom she has been separated. In Shalini Adnani’s debut feature, Our Share of Sand, that promise…
74th San Sebastián International Film Festival: “Border” Review
Films with very little dialogue can be incredibly powerful because, when words disappear, a filmmaker must trust the images, the actors, sound and silence to tell us what the characters cannot or will not say, and when that works, a room can reveal more than pages of conversation. Ah Biao’s Border, which had its premiere…
74th San Sebastián International Film Festival: “CUTE” Review
Marlene Emilie Lyngstad’s CUTE is hard to watch. Premiering in the New Directors section at the San Sebastian International Film Festival, it takes on one of the most disturbing subjects imaginable without trying to soften it for the audience. What surprised me most, however, is how much of the story is really about loneliness, shame…
Summer IFF 2026: “Days of Being Wild” (1990) Review
It was 1990 when the director of As Tears Go By (1988) released his star-studded second feature. Much of that excitement came from the commercial and critical success of As Tears Go By, Wong Kar-wai’s kinetic yet tender gangster romance starring Andy Lau, Maggie Cheung and Jacky Cheung, and with Carina Lau, Leslie Cheung and…
Summer IFF (2026): “The Imp” (1981) Review
A cult film regarded as one of Hong Kong’s scariest, the restored The Imp (1981), directed by Dennis Yu, was screened at Summer IFF in the section “The Taste of Cult”, bringing an unsettling chill to Hong Kong’s midsummer. Like many fellow Hong Kong New Wave directors, Dennis Yu received part of his education overseas,…
Toronto International Film Festival (TIFF26): In Conversation with Miwa Nishikawa, Director of “Children Untold”
Miwa Nishikawa has spent more than two decades making films about people trying to find their place in a society that does not always know what to do with them. Born in Hiroshima and a graduate of Waseda University, she began her career working with Hirokazu Kore-eda before making her own directorial debut with Wild…
Toronto International Film Festival (TIFF26): “Head to Head” Review
Women do not experience oppression in exactly the same way and pretending otherwise helps nobody. Where we are born, the laws we live under, religion, family, money and social expectations can make the differences enormous, but across countries and cultures women still find themselves being told what is appropriate for them: how to dress, how…
Toronto International Film Festival (TIFF26): In Conversation with Kim Eo-jin of “The World Before”
For a young actor still at the beginning of his career, Kim Eo-jin already seems to understand what great acting is all about. After appearing in the 2021 web drama The Sweet Blood and later taking a leading role in Fragile in 2024, the model makes his feature-film debut in Yoon Dan-bi’s The World Before….
Toronto International Film Festival (TIFF26): In Conversation with Sim Su-bin of “The World Before”
Sim Su-bin is still at the beginning of her acting career. So far, she has appeared in supporting roles in Korean dramas, alongside her film work, but Yoon Dan-bi’s The World Before gives her the space to show much more of what she can do. As seventeen-year-old Jin, a girl who has never left the…
Toronto International Film Festival (TIFF26): In Conversation with Yoon Dan-bi, Director of “The World Before”
There is nothing overstated about Yoon Dan-bi’s films; her stories take shape through families sharing a home, young people spending time together, conversations that seem ordinary and feelings that are not always easy to explain. Her feature debut, Moving On (2019), follows teenage Okju and her younger brother as they move with their father into…
83rd Venice Film Festival: “No Paradise If You Are Killed by a Woman” Review
“Only when we face death do we understand the value of life.” This line comes towards the end of Halkawt Mustafa’s No Paradise If You Are Killed by a Woman, and it stayed in my mind. Perhaps because most of us rarely think about life in those terms; we rush from one thing to another,…
