At the 82nd Venice Film Festival, Anuparna Roy’s Songs of Forgotten Trees was a rare kind of debut, one that challanges the ways Indian cinema has historically positioned women: not as symbols or accessories to a male narrative, but as living, breathing individuals. Her film places women firmly at the centre and lets them be…
Tag: movies
82nd Venice Film Festival: “Father” Review
Tereza Nvotová’s Father (Otec) had its world premiere in the Orizzonti section at this year’s Venice International Film Festival, and from its opening frame, we are in the hands of a filmmaker unwilling to compromise on emotional or cinematic truth. Known for her courageous portraits of trauma in Filthy and Nightsiren, Nvotová turns her attention…
“I’m The Most Beautiful Count”: A Thai BL Drama of Queer Love and Palace Secrets – Review of the First Two Episodes
From its first flashy frame, Thai series I’m The Most Beautiful Count – adapted from the webtoon Chan Ni Lae Than Khun Thi Suai Thi Sut Nai Siam by Yuen Kin Pakka Thi Than Phra – brims with a sense of intrigue. Dropping us into the glamorous world of our protagonist, superstar Prince (Nut Supanut…
78th Locarno Film Festival: “Legend of the Happy Worker” Review
Duwayne Dunham is an artist of seemingly dual identities; both a long-term collaborator of David Lynch – directing several episodes of Twin Peaks, and editing every instalment of The Return – and a filmmaker responsible for several live-action Disney movies, both on the big screen and direct to the Disney Channel. Arriving at this year’s…
78th Locarno Film Festival: Roberto Rossellini’s “ANNO UNO” (Restored) Review
Roberto Rossellini was a key figure in Italian neorealism, known for films like Rome, Open City (1945), Paisan (1946), and Germany, Year Zero (1948). His use of non-professional actors and real locations transformed postwar cinema. Later, his collaborations with Ingrid Bergman – Stromboli (1950), Europe ’51 (1952), and Journey to Italy (1954) – showed how…
78th Locarno Film Festival: In Conversation with Park Syeyoung, Director of “The Fin”
Seoul-based Syeyoung Park is an interesting independent filmmaker. A graduate of the Korea National University of Arts, with a BFA in Film and an MFA in Video Arts, Park made his feature debut with The Fifth Thoracic Vertebra, which earned him awards at the Bucheon International Fantastic Film Festival, Seoul Independent Film Festival, and Fantasia,…
78th Locarno Film Festival: “The Fin” Review
Korean cinema continues to prove its global dominance not just through streaming platforms, but through visionary films that challenge and expand the very language of cinema. With The Fin, director Park Syeyoung delivers a haunting work, an unsettling look at control and survival in the aftermath of ideology. Set in a post-unification, ecologically devastated Korea,…
Park Chan-wook Returns with “No Other Choice”, Opening the 30th Busan International Film Festival
Three years after his critically acclaimed Decision to Leave (2022), director Park Chan-wook makes a powerful return to the screen with No Other Choice, a gripping drama centered on a man’s desperate fight to protect everything he holds dear. The story follows Man-su (Lee Byung Hun), a once-proud man whose stable life is suddenly upended…
“LARGO” Short Film Review
“There are 11 million child refugees in the world. 1.3 million in Europe. 127,000 in the UK.” And each one has a name. In LARGO, we meet just one: Musa, a young Syrian boy living in the UK, who, against all odds and all the impossible rules of the adult world, sets out to build…
Freddie Fox Returns Behind the Camera with “The Painting & The Statue” – Exclusive Interview
Freddie Fox has been a compelling figure in theatre, TV, and film for years. He’s well-known for roles in White House Farm, The Crown, Slow Horses, Year of the Rabbit, Pride, and The Great, and was recently seen as Loki in Netflix’s The Sandman. While many may know him for his chameleonic performances, Fox is…
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