Celine Song’s “Past Lives” Review

The mundane joys of people watching have seldom been caught onscreen as effectively as they have in the opening sequence of Past Lives, the lauded directorial debut of playwright Celine Song. Entering the film from the perspective of two unseen, unnamed narrators, we’re immediately tasked with guessing the relationship dynamics between three people sitting at…

Enemies To Lovers: “Love To Hate You” Drama Review (Netflix)

A hot-headed feminist crosses paths with a misunderstood gentleman in Netflix’s new feel-good romantic comedy Love To Hate You. The 2023 drama spans 10 episodes, with a generous balance of wit and charm between the main characters. Director Kim Jeong-kwon, whose filmography consists mostly of romance works, took the risk of making an unusual pairing…

Vertigo (Enduring) Review

Life can often throw you curveballs, but a person can only endure so much while also trying to reach deeper into oneself to find what gives them a reason to live. Vertigo, written and directed by Jeon Gye-soo, depicts one of these emotional and complex life stories. Seo-young (Chun Woo-hee: The Wailing, Han Gong-ju) struggles with her existence;…

62nd BFI London Film Festival: Leto Review

In the Soviet Union, like in many other communist countries, a free growth of specific music genres was quite limited. The story of Kirill Serebrennikov’s new work, Leto (Summer), begins in the 1981 Leningrad, at a concert of an underground rock band. But unlike what a person would expect when there is a rock concert…