25th Far East Film Festival: “Rebound” Review

Busan’s Jungang High School basketball team is in disarray and about to come to a stop until a new coach, Kang Yang-hyeon (Ahn Jae-hong: Time to Hunt, Fabricated City) is brought in to turn the team around. Jang Hang-jun’s new film, Rebound, not only follows Kang’s journey but also of his protégés: Bae Gyoo-hyeok (Jeong…

“Perhaps Love” Review

Do not be fooled by the title: Perhaps Love is not your typical rom-com. In fact, it is not a rom-com at all. This emotionally honest, amusing screwball comedy offers us different angles on what love is and what it can be, more in line with the Greek differentiations of the concept. The most interesting…

24th Udine Far East Film Festival: “Tomb of the River” Review

The fact that in recent years it has been difficult to find a true representation of the noir genre shows that there are still opportunities out there for filmmakers to bring it back to life. In 2021, however, Yoon Young-bin, an emerging South Korean filmmaker, grabbed that chance by domestically releasing Tomb of the River,…

24th Udine Far East Film Festival: “Hostage: Missing Celebrity” Review

Breaking news! Hwang Jung-min, Korea’s top star, has been kidnapped by a gang of thugs and taken to a remote location. Well, not really, but that’s the concept of Pil Gam-sung’s action-thriller Hostage: Missing Celebrity. As per the previous (joke) announcement, Hostage: Missing Celebrity is what you probably expect it to be about: It follows…

In Conversation with Chen Yu-hsun, Director of “My Missing Valentine”

“I have romantic ideas, but [when I make films] I am not really a romantic person,” Chen Yu-hsun admits with a chuckle. The Taiwanese filmmaker came to fame in 1994 with his debut feature, Tropical Fish, a razor-sharp comedy-drama, for which he was awarded the Golden Horse Award for best original screenplay as well as…

23rd Udine Far East Film Festival: “My Missing Valentine” Review

Taiwanese romantic comedies can touch one’s heart regardless of their Rotten Tomatoes rating or the narrative itself. And despite the genre, the country’s cinema has always highlighted its culture and people against the wonderful landscapes and pictorial compositions of local architecture. Although rom-coms are filled with cliches, some storylines make the audience analyse their own…

23rd Udine Far East Film Festival: “Keep Rolling” Review

On the set of her 2017 film Our Time Will Come, Ann Hui is slapping wet mud all across the backs of actors. Her other hand is clutching a walking cane. She stands in the pouring rain, puffing cigarettes, and yelling orders. Reaching 70 years of age – and spending the past 40 plus years…