What do we know about K-pop? Whether you’re a fan or not, we all know that the energy, enthusiasm, and outstanding performances have become synonymous with the genre, and even rookie groups give their all just to make sure they attract global fans. That being said, a recent Odd Eye Circle concert in London’s O2 Forum Kentish Town left many disheartened, including us. The show, marred by flat choreography, disinterested idols, and a disjointed setlist, failed to capture the essence of what a K-pop performance should be.

Expectations were high as fans flocked to the iconic venue, eager to see the three-member K-pop group. What followed the concert was a series of missteps that flawed the overall experience. The concert opened with individual performances, setting up a promising tone. However, the anticipation quickly turned to disappointment as the initial energy waned and lip-syncing became the primary mode of vocal delivery. One of the most glaring moments came during Kim Lip’s performance of Eclipse, where she forgot to lip-sync while executing her dance moves. 

The lack of synchronisation between lip movements and choreography shattered the experience that many had hoped for. JinSoul’s Singing in the Rain echoed the lack of energy, failing to capture the vibrant charm that K-pop idols are known for. It was Choerry’s performance of Love Cherry Motion that offered a brief respite, injecting some much-needed enthusiasm into the show. The collaboration between Kim Lip and JinSoul for Love Letter felt forced, with poor choreography and minimal engagement with the crowd. Similarly, JinSoul and Choerry’s Puzzle failed to establish a connection with the fans and with each other. 

Bridge VCRs, intended to provide an interlude, suffered from excessive length and uninteresting content. This pause in the show failed to engage the entire audience, causing a disruption in the already faltering flow of the concert. One of the most disappointing aspects of the event was the management’s decision to remove LGBTQ flags. While respecting cultural nuances is important, imposing conservative values on a community that supports and celebrates LGBTQ rights is inappropriate and disheartening.

The setlist itself presented a range of songs, including Uncover, Lucid, LOONATIC, and Hi High. The frequent outfit changes attempted to add variety, but these wardrobe transitions couldn’t mask the fact that the live vocals were weak, and the idols struggled to hit high notes that were otherwise effortlessly executed in the studio.

In a genre known for its undeniable energy, out-of-this-world choreography, and stunning visuals, the concert fell short. The lack of enthusiasm and synergy between members, along with poorly executed choreography and subpar live vocals, caused some fans to leave the show before it even ended. 

In terms of Odd Eye Circle’s London show, the performance left many craving that beautiful spark that is often felt during K-pop concerts. Unfortunately, the trio barely delivered anything that resembled a great show and failed to express the true spirit of K-pop.

Written by Maggie Gogler

_{View of the Arts is a British online publication that chiefly deals with films, music, and art, with an emphasis on the Asian entertainment industry. We are hoping our audience will grow with us as we begin to explore new platforms such as K-pop / K-music, and Asian music in general, and continue to dive into the talented and ever-growing scene of film, music, and arts, worldwide.}