K-pop fans in London and Brighton have plenty to look forward to this November as KTAM Unleashed Winter Showcase prepares to bring a selection of Korean performers to the UK. Taking place across a few dates, the event will present several artists who may not yet be familiar names outside South Korea. Organised by KTAM,…
Author: View of the Arts
View of the Arts is run by female arts journalists and works with a diverse team of writers and film critics.
The A Festival: ATLAS on Finding Their Sound, Growing Together and Bringing T-Pop to Paris – Exclusive Interview
Since making their debut in 2021, Thai boy group ATLAS have come a long way, especially musically. Five years of working together have given them plenty of opportunities to discover their strengths, try different sounds and learn what it takes to keep a group moving forward. Their early releases introduced us to seven young performers…
“Tazza: The Song of Beelzebub” (2026) Revew
Betrayal is difficult enough to forgive, but when it comes from someone who has known you since childhood, the damage goes far beyond lost trust, especially when years of friendship have concealed a growing resentment neither person wanted to acknowledge. In Choi Kook-hee’s Tazza: The Song of Beelzebub, two childhood friends who once dreamed of…
London Korean Film Festival 2026: Korean Cinema in the Spotlight
The London Korean Film Festival returns this November for its 21st edition, bringing together established directors, emerging filmmakers and some of Korean cinema’s most recognisable actors for two weeks of screenings, premieres and conversations. For more than two decades, the London Korean Film Festival (LKFF) has introduced British audiences to the remarkable variety of stories…
The A Festival – IRONBOY: “The Most Global Thing You Can Do Is Sound Like Where You’re From” – Exclusive Interview
IRONBOY was only eleven when he first heard Eminem, although by then he was already familiar with performing in front of an audience, having spent much of his childhood entering singing and dancing competitions. Growing up in Ratchaburi, a province in western Thailand, he had started singing at seven and was accustomed to the discipline…
The A Festival: Myyu and Chanya on “AI Girl”, Their First Major Roles and Meeting Their European Fans in Paris – Exclusive Interview
Imagine spending most of your time working, keeping to yourself and having little interest in romance, only for a mysterious package to arrive at your door containing a remarkably lifelike robot who looks exactly like the woman of your dreams. That is the rather unusual beginning of AI Girl, the 2026 Thai Girls’ Love romantic…
The A Festival: New, Pide, PJ and Leon on Bringing “GELBOYS” to Life – Exclusive Interview
A manicure is a promising excuse to spend time with someone you fancy, until you discover they have been taking somebody else along too. That situation sets the relationships in GELBOYS in motion, as FourMod’s attraction to Chian becomes tangled with jealousy, friendship and the involvement of Baabin and Bua. First released in 2025, the…
The A Festival: JASP.ER Open Up About Friendship, Working Together and Creating a Safe Space for Everyone – Exclusive Interview
Thai entertainers Joong, Aou, Santa and Pond, forming JASP.ER have opened the door to a different kind of artistic expression. All four had already established careers in the entertainment industry before coming together as a boy group, but performing music as a team has presented challenges that even years of acting experience could not entirely…
70th BFI London Film Festival: In Conversation with Mokya Shin, Director of “Easter”
A photograph of a young woman posing in a swimsuit with her friends at Dadaepo beach in the 1980s might not seem important, but for South Korean filmmaker Mokya Shin, it changed the direction of Easter, his first feature documentary. The woman in the photograph was Saekja, now 68, who had spent much of her…
70th BFI London Film Festival: “Easter” Review
Sometimes, a photograph is all that remains of someone’s life, especially when their story was never considered important enough to be written down or remembered by others. Early in Mokya Shin’s Easter, Saekja sits with an old photo album, looking back at a younger version of herself and the women who once occupied that world…
70th BFI London Film Festival: In Conversation with Shalini Adnani, Director of “Our Share of Sand”
Shalini Adnani knows what it means to belong to more than one place. Born and raised in Chile in a Sindhi family of Indian origin before later moving to London, the writer-director grew up with different cultures and, as she tells us, “two different value systems”. That experience found its way into her first feature,…
70th BFI London Film Festival: “Our Share of Sand” Review
Maya comes to India to spend time with her father, and soon finds herself being asked to protect him. For a twelve-year-old who has lived in Britain, the reunion brings the promise of getting to know a parent from whom she has been separated. In Shalini Adnani’s debut feature, Our Share of Sand, that promise…
70th BFI London Film Festival: “A Girl Unknown” Review
Giving a child a new name and expecting the old life to disappear with it is simply cruel. A name is supposed to tell us who somebody is, yet in Zou Jing’s A Girl Unknown, names become evidence of how often one young girl has been asked to begin again. Six years old when we…
70th BFI London Film Festival: “Fruit Gathering” Review
Life does not offer San Kyi many choices, and although she sometimes thinks about leaving Yangon and returning to her village, she knows there may be very little work waiting for her there, which means the long days she spends in a garment factory are not simply something she can walk away from whenever she…
