Although there has been some visible progress over the past few years, female filmmakers still remain largely unseen either in front of the camera or behind it. While pushing through a world that is dominated by men, female filmmakers have shown that there are still countless stories to tell, stories that the opposite gender might…
Author: View of the Arts
View of the Arts is run by female arts journalists and works with a diverse team of writers and film critics.
17th London Korean Film Festival: “Stellar: A Magical Ride” Review
There’s something inherently comforting about the road trip movie. Always following the same narrative formula, with little room to innovate due to its constraints, a film within this subgenre is always about a journey both literal and metaphorical – the lead character experiencing emotional growth, whilst ticking off all the expected beats you’d expect on…
Jackson Wang Sets to Dominate the World of Music with His First-Ever Solo Headline Tour
Jackson Wang is a man of many talents. Known for being a member of GOT7, a South Korean Idol group, the artist has impressed many with his singing and rapping skills throughout the years. Jackson is also recognised for being a record producer, songwriter, music video director, and fashion designer. In 2017, he expanded his…
17th London Korean Film Festival: “Kingmaker” Review
Released in January 2022 just weeks before the presidential election in South Korea, writer-director Byun Sung-hyun’s fourth directorial effort, Kingmaker, is as much a character drama as it is a political film. It is 1961, Seo Chang-dae (Lee Sun-kyun), a local pharmacist who fled the North, meets Kim Woon-bum (Sol Kyung-gu), an eloquent small-time politician…
17th London Korean Film Festival: “Alienoid” Review
Some films require patience to watch and some require energy. Writer-director Choi Dong-hoon’s Alienoid belongs to the latter camp for its hyperactivity. An ambitious mashup of multiple genres – sci-fi, fantasy, comedy, action, thriller, you name it – Choi’s sixth feature is, in a sense, a culmination of his filmography and much more. Alienoid does…
17th London Korean Film Festival: In Conversation with Choi Dong-hoon, Director of “Alienoid”
In 2015, during the BFI London Film Festival, I had my first conversation with South Korean filmmaker Choi Dong-hoon as he promoted his espionage action film Assassination. Several years later, he finished the script for Alienoid, a sci-fi fantasy action film. Starring a top-notch assemble of actors, including Kim Tae-ri, Kim Woo-bin, Ryu Jun-yeol, Lee…
7th London East Asia Film Festival: In Conversation with Kim Se-in, Director of “The Apartment with Two Women”
Kim Se-in, a South Korean filmmaker, began her journey in the film industry as a screenplay writer and editor. She directed a few shorts, including Hamster (2016), Playing with Fire (2018), and Container (2018). Kim’s feature debut, The Apartment with Two Women, received its world premiere at last year’s Busan International Film Festival and had…
7th London East Asia Film Festival: The Roundup Review
When The Outlaws, written and directed by Kang Yoon-sung, came out in 2017, the film became the third highest-grossing film of that year in South Korea. The production had enough thrills and suspense to satisfy even the most jaded sensation-seekers. It took a few years before the second instalment, The Roundup, was released onto the…
StART Art Fair – Saatchi Gallery London – In Conversation with Ohnim, Kang Hui and Regina Kim.
Art fairs have always played a crucial role in the world of contemporary art. Not only do they allow art lovers to see the creations of new and upcoming artists, but they also enable collectors, agents, and curators to obtain unique modern art pieces. StART Art Fair was founded in 2014 by David and Serenella…
66th BFI London Film Festival: “The Woman in the White Car” Review
In a small Korean town, a police officer, Kim Hyun-ju (Lee Jeong-eun: Parasite, Hommage), alongside her partner, are called to a hospital to check on two sisters with one being severely injured and unconscious. We quickly learn that one of the siblings is called Do-kyung (Jung Ryeowon: Castaway on the Moon, Wok of Love, Gate),…
66th BFI London Film Festival: “Decision to Leave” Review
It may not seem like it at first glance, but Park Chan-wook’s films are those of a distinctly romantic disposition. His narratives typically explore the tension that arises when erotic and emotional idealism meets cold, hard reality; in his films, the only happy romances can be found in either the dispassionate confines of a mental…
Yoon Seo-bin on Music, Acting and Korean Cinema
Who is Yoon Seo-bin? Born and raised in South Korea, Yoon Seo-bin found his love for music during his teenage years. After being discovered on the streets of Seoul, the singer trained for over a year and seven months. Despite leaving Produce X 101 (2019 – reality survival show), he decided to wait for a…
“The fans are the 11th member of Golden Child, and we don’t [and wouldn’t] exist without them” – In Conversation with Golden Child, a K-Pop Idol Group
Golden Child distinguish themselves by their musical variety. Although they represent K-pop in its pure form, the group finds it easy to combine the genre with funk, disco, and electronic sounds. Visually, when it comes to their music videos, the group values simplistic aesthetics blended with satisfying choreography instead of the flashy, complex music videos…
Fragments Festival: In Conversation with Kim Bartley, Director of “Pure Grit”
What does it mean to explore non-fiction narratives through film? Accompanying other people with a camera during their everyday life is always difficult, but at the same time, it is an extraordinary journey for all parties involved, including the director, the film crew, and also the subject of the film. While documentaries capture meaningful moments,…
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