SF9 Bring Energy and Charm to London’s Indigo at The O2

If there’s one thing you can always count on with SF9, it’s that they’ll show up, give their all, and make even a slightly tired stage feel like home. When the five members of SF9 (yes, only five this time around – the others were sorely missed but very much there in spirit) took the…

69th BFI London Film Festival: “Left-Handed Girl” Review

Left-Handed Girl is one of those films that makes your heart ache and smile at the same time. In her stunning solo debut, Taiwanese filmmaker Shih-Ching Tsou tells the story of a family who, in the face of struggle, confront painful secrets yet ultimately rediscover what matters most: their love for one another. Following a…

69th BFI London Film Festival: “High Wire” Review

Hong Kong director Calif Chong, best known for her acclaimed 2019 short Underneath, delivers something different with High Wire. High Wire speaks to something human and widely felt: the way immigration reshapes people, their hopes, their fears, and their relationships with the next generation. For many immigrant parents, the act of starting over comes with…

69th BFI London Film Festival: “Hair, Paper, Water” Review

Vietnamese cinema has long existed in the margins of Southeast Asian film culture, overshadowed by the global recognition of its regional neighbours. Yet, in recent years, a resurgence has begun to take shape, led by filmmakers whose work values poetic observation over plot. Among them, Trương Minh Quý. His latest collaboration with Belgian filmmaker Nicolas…