“Dead to Rights” Review

In December 1937, the city of Nanjing was thrust into an unimaginable nightmare. During what has become known as the Nanjing Massacre, Japanese forces captured the Chinese capital, committing atrocities that left tens of thousands dead and countless others traumatised. This dark chapter of history, filled with destruction, brutality, and human suffering, provides the setting…

Singapore International Film Festival: “The 4PLY Clandestine System” Review

Directed by the emerging talent Natalie Sin, The 4PLY Clandestine System has earned its place as one of Singapore’s five standout short films at the 36th Singapore International Film Festival (SGIFF), competing in the Southeast Asian Short Film Competition. The film’s strength lies not only in its craft but in its local soul; it re-examines…

Singapore International Film Festival: “10s Across the Borders” Review

10s Across the Borders is a pan-Asian documentary feature directed by Chan Sze-Wei, spotlighting the ballroom scene culture in Southeast Asia. Starring three pioneers Xyza Pinklady Mizrahi, Teddy Oricci, and Aurora Sun Labeija from the Philippines, Malaysia, and Thailand, it uncovers this fascinating subculture derived from African and Latinx communities in New York in a…

62nd Taipei Golden Horse Film Festival: “Beyond 93 Letters” Review

What is it like to request the end of your own life? Beyond 93 Letters follows the heavy-hearted journey of Ting-ying, who, after earning her PhD, is diagnosed with a brain tumour. After four years of ineffective treatments and relentless pain, she ultimately sends a plea for help to Dignitas, the Swiss organisation that provides…

62nd Taipei Golden Horse Film Festival: “The Long Departure” Review

One of the greatest pleasures, or perhaps essential rituals, at the Taipei Golden Horse Film Festival (TGHFF) is exploring its consistently strong shorts program, particularly the documentary section. They usually struggle to reach wider audiences outside of the festival circuit, making this showcase a rare opportunity. This year, among a blossom of Taiwanese short films,…

“Sand City” Review

Sand City (2025), Mehde Hasan’s debut feature, derives its title from the city of Dhaka: Bangladesh’s capital and a huge industrial metropolis. Directly from the opening, it becomes clear how fundamental the grainy material is to the city and its inhabitants. Sand trucks roam the streets, distributing sand from its harbour to construction sites. The…