Seo Ji-hoon, a 25-year-old South Korean actor, debuted in 2016 in Signal, a drama show that consists of a gripping multilayered plot. Although Seo took on a minor role, he quickly gained recognition and was cast in Matching Boys Archery and The Legendary Shuttle, with the latter giving him his first nomination for KBS Drama…
Category: Korean Cinema
“For Me, Painting Is an Extension of My Feelings. It’s a Movie or a Drama That I’m Painting Myself.” – In Conversation with Lee Tae-sung, a South Korean Actor and Artist
What happens after watching Korean dramas for over 15 years? You develop first lead syndrome or second lead syndrome. Of course, this sounds absurd, but it does happen. Throughout the years, a few actors and actresses have really stuck in my head thanks to their acting, and that includes Lee Tae-sung. Although Lee Tae-sung was…
“Broker” Review
Japanese filmmaker Hirokazu Koreeda has long claimed his biggest directorial influence is that of the British social realist master Ken Loach, even though the similarities between the pair prove superficial when examined beyond the surface. Both are most renowned for their humanist dramas that explore the struggles of those living on society’s margins, although their…
“My life had been leading me down a path designed to help me become the actor I am today.” – In Conversation with Jung Ryeo-won
Jung Ryeo-won never really thought of becoming an actress, but fate had other ideas. Korean-Australian Ryeo-won spent her teenage years in Australia, where she graduated from Griffith University with a major in International Business. One day, while visiting Korea, she was picked by a talent agent and relatively quickly became a part of a K-pop…
Netflix’s “Little Women” – In Conversation with Park Ji-hu and Nam Ji-hyun
Little Women is Korean drama at its best. While we can all agree that 2022 was an extraordinary year for female-based K-dramas, this 12-episode show is a true gem produced by the renowned Studio Dragon. The title, Little Women, has tricked many into considering it a mere adaptation of the 1868 novel of the same…
“I had such good help on this project. I feel incredibly blessed.” – In Conversation with Christine Ko, Director of “The Woman in the White Car”
Although there has been some visible progress over the past few years, female filmmakers still remain largely unseen either in front of the camera or behind it. While pushing through a world that is dominated by men, female filmmakers have shown that there are still countless stories to tell, stories that the opposite gender might…
17th London Korean Film Festival: “Stellar: A Magical Ride” Review
There’s something inherently comforting about the road trip movie. Always following the same narrative formula, with little room to innovate due to its constraints, a film within this subgenre is always about a journey both literal and metaphorical – the lead character experiencing emotional growth, whilst ticking off all the expected beats you’d expect on…
17th London Korean Film Festival: “Alienoid” Review
Some films require patience to watch and some require energy. Writer-director Choi Dong-hoon’s Alienoid belongs to the latter camp for its hyperactivity. An ambitious mashup of multiple genres – sci-fi, fantasy, comedy, action, thriller, you name it – Choi’s sixth feature is, in a sense, a culmination of his filmography and much more. Alienoid does…
17th London Korean Film Festival: In Conversation with Choi Dong-hoon, Director of “Alienoid”
The first time I spoke to Choi Dong-hoon, a South Korean filmmaker, was in 2015 when he promoted his espionage action film, Assassination, at the BFI London Film Festival. It took another few years for the director to complete the script for Alienoid, a sci-fi, fantasy action film. One of Korea’s most renowned actresses, Kim…
7th London East Asia Film Festival: In Conversation with Kim Se-in, Director of “The Apartment with Two Women”
Kim Se-in, a South Korean filmmaker, began her journey in the film industry as a screenplay writer and editor. She directed a few shorts, including Hamster (2016), Playing with Fire (2018), and Container (2018). Kim’s feature debut, The Apartment with Two Women, received its world premiere at last year’s Busan International Film Festival and had…
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