Kim Tae-yong has previously directed intense, serious films, driven by youth, energy, and a desire to change the world. Now in his 30s, his perspective has softened. His latest film, Number One, screened in competition at the 28th Far East Film Festival in Udine, Italy, reflects that shift with a much warmer tone. This fantasy…
Category: Korean Cinema
28th Far East Film Festival: In Conversation with Chang Hang-jun (Director) and Yoo Hae-jin (Actor) of “The King’s Warden”
South Korea’s connection with its own historical roots is deeply embedded in popular culture. Period movies and costume melodramas have always held their own space, even during the nation’s gloomy times. From The King and the Clown (2005) and Masquerade (2012) to The Night Owl (2022), and back to the numerous retellings of the popular…
28th Far East Film Festival: In Conversation with Kim Do-young, director of “Once We Were Us”
After her film Kim Ji-young: Born 1982 (2019) sparked loud controversy in South Korea for its social and political criticism, the actress and director Kim Do-young has returned with her second feature, Once We Were Us, part of the competition at the 28th Far East Film Festival in Udine, Italy. This emotional drama is a…
28th Far East Film Festival: In Conversation with Yoo Yeon-seok
Yoo Yeon-seok smiles often when he speaks, and sitting with him during the interview at the Far East Film Festival, there is so much calmness emanating from him. He made his acting debut in 2003 with a small role in Oldboy before returning to the screen in 2008 to fully resume his acting career. Since…
28th Far East Film Festival: In Conversation With Yoon Ga-eun (Director) and Jang Hye-jin (Actress) of “The World of Love”
From Guest (2011) and Sprout (2013) to The World of Us and The House of Us, Yoon Ga-eun’s films have consistently returned to childhood as a space of emotional intensity rather than innocence. With The World of Love, her third feature, she continues this exploration, but in a more unsettling form. Explaining the origins of…
28th Far East Film Festival: “My Name” Review
On April 3, 1948, Jeju Island became the site of a coordinated armed uprising as communist guerrillas launched pre-planned attacks on police stations, officials, and civilians. In the early hours, hundreds of insurgents struck multiple targets, killing officers, destroying homes, and using fear to deter participation in the May 10 elections that would lead to…
28th Far East Film Festival: “The World of Love” Review
Yoon Ga-eun has long been recognised for her work in capturing the emotional world of young people with rare honesty. From her early short films Guest (2011) and Sprout (2013) to her acclaimed features The World of Us and The House of Us, she has consistently explored childhood and the often complicated journey toward adulthood….
“Success, for Me, Is Freedom”: Jang Theo on Acting, Modelling and Choosing His Own Path – Exclusive Interview
“I don’t define success as money or fame. Success, for me, is freedom – the freedom to express my world exactly the way I see it.” This is what Jang Theo says when asked about the success and it clarifies the logic behind every decision that has guided his career so far. What impressed me…
20th London Korean Film Festival: “Frosted Window” Review
Kim Jong-kwan is surely one of a kind as a filmmaker. His work reveals a keen sensitivity to the human condition. His cinema has always been a dialogue between isolation and empathy, often exploring how people drift in and out of each other’s lives, guided by memory and the delicate tremour of feeling. From Worst…
20th London Korean Film Festival: “The Land of Morning Calm” Review
Set against the subdued beauty of a Korean fishing village, The Land of Morning Calm, written and directed by Park Ri-woong, is a restrained and moving exploration of displacement and the tensions beneath everyday life. This is not a story about national identity or grand political themes; it is about people: ordinary and flawed. The Land…
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