Singapore International Film Festival: “The 4PLY Clandestine System” Review

Directed by the emerging talent Natalie Sin, The 4PLY Clandestine System has earned its place as one of Singapore’s five standout short films at the 36th Singapore International Film Festival (SGIFF), competing in the Southeast Asian Short Film Competition. The film’s strength lies not only in its craft but in its local soul; it re-examines…

Singapore International Film Festival: “10s Across the Borders” Review

10s Across the Borders is a pan-Asian documentary feature directed by Chan Sze-Wei, spotlighting the ballroom scene culture in Southeast Asia. Starring three pioneers Xyza Pinklady Mizrahi, Teddy Oricci, and Aurora Sun Labeija from the Philippines, Malaysia, and Thailand, it uncovers this fascinating subculture derived from African and Latinx communities in New York in a…

European Film Awards 2026: Nominees in the Arts & Crafts Categories Announced

The European Film Academy has unveiled the nominees for the 2026 European Film Awards in eight Arts & Crafts categories, celebrating the extraordinary creative talent that shapes the sound and emotional power of European cinema. This year, it’s the first full implementation of the Academy’s new member chapter system, with professionals from each craft selecting…

62nd Taipei Golden Horse Film Festival: “Beyond 93 Letters” Review

What is it like to request the end of your own life? Beyond 93 Letters follows the heavy-hearted journey of Ting-ying, who, after earning her PhD, is diagnosed with a brain tumour. After four years of ineffective treatments and relentless pain, she ultimately sends a plea for help to Dignitas, the Swiss organisation that provides…

62nd Taipei Golden Horse Film Festival: “The Long Departure” Review

One of the greatest pleasures, or perhaps essential rituals, at the Taipei Golden Horse Film Festival (TGHFF) is exploring its consistently strong shorts program, particularly the documentary section. They usually struggle to reach wider audiences outside of the festival circuit, making this showcase a rare opportunity. This year, among a blossom of Taiwanese short films,…

“Sand City” Review

Sand City (2025), Mehde Hasan’s debut feature, derives its title from the city of Dhaka: Bangladesh’s capital and a huge industrial metropolis. Directly from the opening, it becomes clear how fundamental the grainy material is to the city and its inhabitants. Sand trucks roam the streets, distributing sand from its harbour to construction sites. The…

20th London Korean Film Festival: “Frosted Window” Review

Kim Jong-kwan is surely one of a kind as a filmmaker. His work reveals a keen sensitivity to the human condition. His cinema has always been a dialogue between isolation and empathy, often exploring how people drift in and out of each other’s lives, guided by memory and the delicate tremour of feeling. From Worst…

20th London Korean Film Festival: “The Land of Morning Calm” Review

Set against the subdued beauty of a Korean fishing village, The Land of Morning Calm, written and directed by Park Ri-woong, is a restrained and moving exploration of displacement and the tensions beneath everyday life. This is not a story about national identity or grand political themes; it is about people: ordinary and flawed. The Land…

20th London Korean Film Festival: In Conversation with Park Ri-woong, Director of “The Land of Morning Calm”

The Land of Morning Calm, directed by Park Ri-woong, is a powerful portrait of a fading Korean fishing village and the emotional dislocation of its residents. Supported by moving performances from Yoon Joo-sang, Yang Hee-kyung, and Khazsak Kramer, the film explores generational divides, economic decline, and the complex, often unspoken tensions surrounding immigration and arranged…