To Kill The Beast is the first feature film of Agustina San Martin, whose short films have garnered prestigious awards at film festivals including Cannes with Monster God (2019). The Argentinian director has also worked as a screenwriter, colourist, and cinematographer. Between 2020 and 2022, she was mentored by Lin-Manuel Miranda, actor, singer, songwriter and…
Category: Film events and festivals
79th Venice International Film Festival – “Burning Hearts” Review
Deep in the Apulian countryside, resides two powerful families with a venomous hatred of each other – the Malatestas and the Camporeales. It’s been around 40 years since their last bloodshed and ever since both families have been stuck in a tense stalemate with each other. All until the young Malatesta heir Andrea (Francesco Patanè)…
79th Venice International Film Festival – “World War III” Review
“History doesn’t repeat itself, but it often rhymes.” Houman Seyedi’s World War III starts with this quote oft-attributed to Mark Twain. One of the four Iranian titles premiering at Venice this year and the director’s sixth feature, the Orizzonti section finalist proves a bracing slow-burner that leaves you gaping by the time the credits start…
“A Wicked Tale” Review
A Wicked Tale is an experimental film that reworks the cautionary story of Little Red Riding Hood. With a running time of just over 44 minutes, Singaporean director Tzang Merwyn Tong’s debut feature premiered at the 34th Rotterdam International Film Festival in 2005. While there are numerous versions of Little Red Riding Hood across cultures,…
“Perhaps Love” Review
Do not be fooled by the title: Perhaps Love is not your typical rom-com. In fact, it is not a rom-com at all. This emotionally honest, amusing screwball comedy offers us different angles on what love is and what it can be, more in line with the Greek differentiations of the concept. The most interesting…
“Kingmaker” Review
Released in January 2022 just weeks before the presidential election in South Korea, writer-director Byun Sung-hyun’s fourth directorial effort, Kingmaker, is as much a character drama as it is a political film. It is 1961, Seo Chang-dae (Lee Sun-kyun), a local pharmacist who fled the North, meets Kim Woon-bum (Sol Kyung-gu), an eloquent small-time politician…
In Conversation with Ryutaro Nakagawa, Director of “One Day, You Will Reach the Sea”
Ryutaro Nakagawa sits with his hands clasped together, listening intently and speaking passionately with View of the Arts ahead of the international premiere of his film: One Day, You Will Reach the Sea. The drama, which is based on Maru Ayase’s novel of the same name, focuses on themes that Nakagawa has wanted to explore…
In Conversation with Pil Gam-sung, Writer and Director of “Hostage: Missing Celebrity”
In recent years, Korean cinema has been very successful not only with releasing hits on the big screen, but also with producing a new generation of superb, first-time filmmakers. One of those talented filmmakers is Pil Gam-sung, writer and director of Hostage: Missing Celebrity, starring Hwang Jung-min. “Hostage: Missing Celebrity is Pil’s feature film debut,…
In Conversation with Yoon Jong-seok, Director of “Confession”, and Won Dong-yeon, Producer of “Confession”
The 2022 Udine Far East Film Festival was a real treat. Not only because of the great films in the programme, but because it was the first year that film guests were able to attend the event since Covid restrictions had been lifted. Mostly consisting of producers and filmmakers, we had a very productive and…
75th Cannes Film Festival: “Metronom” Review
In the 70s, Romania was one of those places where being a free-spirited person was unwelcomed and dangerous. Any cultural activity had to pass through the sieve of harsh censorship, and the ubiquitous security services were eager to use their power to limit influence from the West. Romania was almost completely isolated from the world;…
75th Cannes Film Festival – “Les Pires” Review
Les Pires follows the story of film director Gabriel (Johan Heldenbergh) shooting his latest feature film in the impoverished suburbs of Boulogne-sur-Mer. His film – under the working title of ‘Pissing into the Northern Wind’ – follows the life of a young boy growing up in poverty. Aiming for realism, Gabriel and his team decided…
24th Udine Far East Film Festival: “Confession” Review
Confession, a remake of 2016’s Spanish thriller, The Invisible Guest, written and directed by Yoon Jong-seok, is truly one of the most interesting remakes of the past decade. The dark atmosphere and mysterious characters not only draw the viewer in, but also provoke deeper reflections on human behaviour in extreme situations. Undoubtedly, Yoon’s Confession keeps…
24th Udine Far East Film Festival: In Conversation with Yoon Young-bin, Director of “Tomb of the River”
For the past 30 years or so, Asian cinema has become a part of life for European filmgoers. Although the Western continent itself has a lot to offer, the films from the Far East are the ones that grab viewers by their throats. It is important to remember that Far East cinema does not only…
24th Udine Far East Film Festival: “Tomb of the River” Review
The fact that in recent years it has been difficult to find a true representation of the noir genre shows that there are still opportunities out there for filmmakers to bring it back to life. In 2021, however, Yoon Young-bin, an emerging South Korean filmmaker, grabbed that chance by domestically releasing Tomb of the River,…
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