On October 4th, 2018, the 23rd edition of Busan International Film Festival opened its doors with numerous stars in attendance, marking the return of the festival in its full glory after several tumultuous years. The festival selected its opening film carefully – Beautiful Days (뷰티풀데이즈), the world premiere of the film directed by the Busan…
Category: Film events and festivals
23rd Busan International Film Festival: Come On Irene Review
Hideki Arai’s 1990s manga series Come on Irene (Itoshi no Irene) addressed the shortage of brides in the rural areas of Japan, melding comedy, drama and darker thriller hues into its story – there is no wonder that it attracted Keisuke Yoshida, a Japanese filmmaker whose previous projects successfully combined those same elements. In fact,…
23rd Busan International Film Festival: In Conversation with Nats Sitoy, the First Filipino Actress to Take Lead Role in a Japanese, Manga-Based Film
Natileigh – Nats – Sitoy is a Cebuana actress who has been busy making a name for herself as an indie actress in the Philippines. After she won Best Supporting Actress role at Cinema One Originals for her role in Lily, she appeared in Bagahe (2017), in Brillante Mendoza’s Netflix series Amo (2018) and in…
62nd BFI London Film Festival: Namdev Bhau in Search of Silence Review
By 2020, Mumbai’s population is expected to grow to 28 million, making it the most populated city on Earth. With a population this size, it’s no wonder that Mumbai is one of the noisiest cities in the world; its noise pollution being three times worse than that of New York and London. Noise pollution is…
62nd BFI London Film Festival: Leto Review
In the Soviet Union, like in many other communist countries, a free growth of specific music genres was quite limited. The story of Kirill Serebrennikov’s new work, Leto (Summer), begins in the 1981 Leningrad, at a concert of an underground rock band. But unlike what a person would expect when there is a rock concert…
62nd BFI London Film Festival: Colette Review
When Sidonie-Gabrielle Colette wrote her debut novel under her libertine husband’s name Willy, she had no idea that the book ‘Claudine at School’ would be the first step towards her liberation, freedom and an ‘escape’ from the traditional heteronormative social values of the early 20th century Paris. Raised in the south of France, Colette (Keira…
62nd BFI London Film Festival: Birds of Passage Review
Guajira peninsula, northern Colombia. It’s the late 60’s; while the western world is amidst its social and cultural revolutions, a young woman, dressed in a bright red ceremonial robe, is engaged in a frenetic courtship dance with her soon-to-be husband. Set at the backdrop of a wide and windy desert, this visually striking scene introduces…
62nd BFI London Film Festival: United Skates Review
“If this world don’t change its ways, we’ll all perish”. Roller-skating rinks in the U.S were once a booming hub of hip-hop and disco culture, a form of cathartic expression and freedom for many African-Americans. However, due to increased land taxes and gentrification forcing many rinks to close, they are now a rare find. Dyana…
62nd BFI London Film Festival: The Spy Gone North Review
The historical drama is a tale that is constantly over-shadowed by its real-life counterpart’s undoing. No matter which way the film may elude to direct itself, the foreboding presence of certain real-life individuals makes clear to an audience which way the film will steer. This is especially the case when dealing with the infamous Kim…
62nd BFI London Film Festival: Last Child Review
There is nothing more distressing for parents than to lose a child. It is no wonder that the topic is one of the hardest to convey on the screen, especially so since the grief and unimaginable suffering take on many different faces and stages. The complex, confusing and isolating feelings associated with the loss of…
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