80th Venice International Film Festival: “GOD IS A WOMAN” Review

Warning: Spoilers ahead. Just off the coast of Panama, in the indigenous Guna Yala province, sits an island town vibrant with colourful clothes and happy faces. Ustupo is home to a community of some 2,000 Guna people, whose rich culture and pride in their community is kept well alive to date. 50 years ago, French…

80th Venice International Film Festival: “Yurt” Review

In the year 1996, against the backdrop of Turkey’s escalating tensions between religious and secular ideologies, a poignant and thought-provoking film, Yurt, takes us on a journey through the life of a fourteen-year-old boy named Ahmet (Doga Karakas). Raised in a secular environment, his world is upended when his recently converted father (Tansu Bicer) decides…

Ryoo Seung-wan’s “Smugglers” Review

Ryoo Seung-wan has done it again with his twelfth feature – albeit in terms of commercial, rather than critical, success. His latest film Smugglers has earned nearly £30 million since its July 26 premiere in South Korea, making it the fourth-highest grossing film of the year in the country and the summer box office champion….

76th Cannes Film Festival: “If Only I Could Hibernate” Review

Social realism is the name of the game in Mongolian filmmaker Zoljargal Purevdash’s debut feature If Only I Could Hibernate. Over the past few weeks, the Un Certain Regard title has been widely celebrated as the country’s first film ever in the Cannes official selection. To be accurate, however, Hibernate is the first Mongolian feature-length…

76th Cannes Film Festival: “Inshallah a Boy” Review

The power of cinema in Jordan holds significant cultural, artistic, and societal importance. Jordan has a rich cinematic history, and the country has produced a number of acclaimed filmmakers and notable films that have made an impact both domestically and internationally. Cinema in Jordan has been instrumental in reflecting and exploring various aspects of Jordanian…