Chung Ji-young has carved out a distinguished place for himself in Korean cinema with a unique and versatile filmmaking style that is marked by its dynamism, social commentary, and a keen sense of narrative craftsmanship. The director’s films are often lauded for their social and political relevance, in which he fearlessly addresses pertinent issues and societal…
Category: Foreign Films
The London Korean Film Festival Returns for Its 18th Edition with a Special Focus
The London Korean Film Festival (LKFF) is set to return for its 18th edition from November 2 to November 16, 2023. Held in cinema venues across London, this year’s festival promises to be bigger and better than ever, A Glimpse into Korean Cinema With the distinction of hosting the most extensive program of Korean cinema…
80th Venice International Film Festival: “GOD IS A WOMAN” Review
Warning: Spoilers ahead. Just off the coast of Panama, in the indigenous Guna Yala province, sits an island town vibrant with colourful clothes and happy faces. Ustupo is home to a community of some 2,000 Guna people, whose rich culture and pride in their community is kept well alive to date. 50 years ago, French…
80th Venice International Film Festival: In Conversation with Nehir Tuna, Director of “Yurt”
The 80th Venice International Film Festival recently featured an intriguing and thought-provoking film, Yurt. In our exclusive interview with Nehir Tuna, we delved into the director’s background and the deep influence it had on the making of the aforementioned film. As the writer-director of the project, Tuna shared his deep personal connection to the story,…
80th Venice International Film Festival: “Yurt” Review
In the year 1996, against the backdrop of Turkey’s escalating tensions between religious and secular ideologies, a poignant and thought-provoking film, Yurt, takes us on a journey through the life of a fourteen-year-old boy named Ahmet (Doga Karakas). Raised in a secular environment, his world is upended when his recently converted father (Tansu Bicer) decides…
Ryoo Seung-wan’s “Smugglers” Review
Ryoo Seung-wan has done it again with his twelfth feature – albeit in terms of commercial, rather than critical, success. His latest film Smugglers has earned nearly £30 million since its July 26 premiere in South Korea, making it the fourth-highest grossing film of the year in the country and the summer box office champion….
“December”: Crime, Redemption, and Second Chances – In Conversation with Shogen, Ryo Matsuura, and Film’s Producer, Mina Moteki
December, directed by Anshul Chauhan, is a powerful drama that, hypothetically, delves into the Japanese justice system while exploring the possibilities of offering a second chance to criminals. It does so through the story of prisoner Kana (Ryo Matsuura), a young woman who killed her classmate a decade earlier and whose case is being brought…
“Step by Step” Sure Knows How to Take it Slow – Thai BL Drama Review
Warning: This Review Contains Spoilers If there is only one thing that viewers of Step By Step can agree on, it will be about how the show stuck true to its name. The show has an almost agonisingly slow burn with viewers having to wait until episode ten to watch Pat (“Ben” Bunyapol Likhitamnuayporn) and…
Edison Song Discusses His Music and Explores Depth of His Latest Acting Role in “Bad Education”
Hailing from Taiwan, Edison Song has mesmerised audiences with his performances across various mediums. From his breakthrough roles in popular drama TV Shows, HIStory1: Stay Away From Me (2017), Brave to Love (2019), Moonlight Romance (2020) and I, Myself (2020), to his music career, where he has proven his versatility time and time again. With…
76th Cannes Film Festival: “If Only I Could Hibernate” Review
Social realism is the name of the game in Mongolian filmmaker Zoljargal Purevdash’s debut feature If Only I Could Hibernate. Over the past few weeks, the Un Certain Regard title has been widely celebrated as the country’s first film ever in the Cannes official selection. To be accurate, however, Hibernate is the first Mongolian feature-length…
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