Ryoo Seung-wan’s “Smugglers” Review

Ryoo Seung-wan has done it again with his twelfth feature – albeit in terms of commercial, rather than critical, success. His latest film Smugglers has earned nearly £30 million since its July 26 premiere in South Korea, making it the fourth-highest grossing film of the year in the country and the summer box office champion….

76th Cannes Film Festival: “If Only I Could Hibernate” Review

Social realism is the name of the game in Mongolian filmmaker Zoljargal Purevdash’s debut feature If Only I Could Hibernate. Over the past few weeks, the Un Certain Regard title has been widely celebrated as the country’s first film ever in the Cannes official selection. To be accurate, however, Hibernate is the first Mongolian feature-length…

76th Cannes Film Festival: “Inshallah a Boy” Review

The power of cinema in Jordan holds significant cultural, artistic, and societal importance. Jordan has a rich cinematic history, and the country has produced a number of acclaimed filmmakers and notable films that have made an impact both domestically and internationally. Cinema in Jordan has been instrumental in reflecting and exploring various aspects of Jordanian…

76th Cannes Film Festival: “Tiger Stripes” Review

You don’t need a gross visual metaphor to articulate the horrifying transformation we all undergo during puberty – but it certainly can help. The history of genre cinema is rife with adolescent allegories, from the straightforward telekinesis metaphor of Stephen King’s Carrie, to the superpowered changes that Peter Parker goes through to become a “man”…

Keishi Otomo on Capturing the Samurai Spirit in “The Legend & Butterfly”

Keishi Otomo is no stranger to making Jidaigeki, Japanese period dramas. He has directed many in his prolific career, though he is probably best known for the “Rurouni Kenshin” live-action films. The franchise adapts Nobuhiro Watsuki’s classic manga of the same name across five films: “Rurouni Kenshin”, “Kyoto Inferno”, “The Legend Ends”, “The Final” and…

Lee Jeong-eun on Producing “Ditto”: From Script to Screen

Being a female film producer today means that you are part of a growing movement in the film industry to increase diversity and representation behind the camera. Historically, the film industry has been male-dominated, and women have faced significant barriers to enter and advance in this field. However, in recent years, there has been a…