9th London East Asia Film Festival: “Exhuma” Review

What do a Feng Shui master, a mortician, and a shaman all have in common? No, this isn’t the setup for a terrible joke; instead, it’s the main plot of the Korean supernatural horror film Exhuma. Although the film starts off slowly, it effectively introduces the main characters and their backgrounds. Additionally, it provides an…

Um Tae Goo: Finding Depth in Every Role – Exclusive Interview

To be an actor is to walk a fine line between reality and illusion, between self and character, and nowhere is this delicate dance more visible than in roles that challenge and stretch the frame of identity. The beauty of acting lies in the ability to entertain and in the subtle journey of transformation –…

The 29th BIFF announces Special Program in Focus “Teen Spirit, Teen Movie”

Compilation of the Best Asian Coming-of-Age Stories Garnering Global Attention in 2024 This program brings together films that have been acclaimed at major international film festivals over the past two years, highlighting the growing global interest in Asian coming-of-age stories. Notable films in the lineup include Tiger Stripes (2023), winner of the Grand Prix Prize…

The 29th BIFF Announces Selections for ‘Korean Cinema Today – “Special Premiere” & “On Screen”

The 29th Busan International Film Festival (BIFF) has announced its lineup for the ‘Korean Cinema Today – Special Premiere’ section, featuring five films, and the ‘On Screen’ section, which includes six drama series. The ‘Korean Cinema Today – Special Premiere’ section highlights and debuts the newest and most significant contemporary Korean commercial films, recognized for…

An Escapade of Wistful Souls: “Camper” Review

Polish film is often some flavour of extreme. It’s brought us revered historical retellings, adored comedies, and sometimes just the deep-red scandalous. But it’s also brought us the beautiful gems missed by those who don’t dare step foot into the broad, imaginative world that is non-English cinema. Katyń (2007), The Peasants (2023), and The Hater…

Herman Yau on His Latest Work, “Customs Frontline”, and Filmmaking

Herman Yau’s latest film, Customs Frontline, premiered globally at the FEFF 26 in Udine this past May and is set for its Asian premiere in Hong Kong this July. A maverick director known for his prolific output, Yau was born in China in 1961 and studied Film at Hong Kong Baptist University. Over a remarkable…

Discussing “Alienoid: Return to the Future” with Director Choi Dong-hoon and Producer Ahn Soo-hyun – Exclusive Interview

I first interviewed Choi Dong-hoon, one of South Korea’s leading directors and screenwriters, in 2015 at the BFI London Film Festival, where he was promoting his espionage action film Assassination. Choi, renowned for his consistent box-office success, spent several years developing the script for Alienoid, a sci-fi fantasy action film. After premiering Alienoid at the…

77th Cannes Film Festival: “Locust” Review

Every generation has its angry young men, rebelling against the cultural conformity of the era. From James Dean in Rebel Without a Cause and Marlon Brando in The Wild One pushing back against the stifling conservatism of the Eisenhower age, to the various turn-of-the-century studies of disaffected adults stilted by middle-class life, these are snapshots…

77th Cannes Film Festival: “Twilight of the Warriors: Walled In” Review

Kowloon Walled City, a military fort turned ungovernable residential area in Hong Kong that was demolished in 1993, feels like the product of a screenwriter’s imagination run wild. As depicted in Twilight of the Warriors: Walled In, the city’s self-sustaining ecosystem is almost entirely shut off from the real world, its 35,000+ residents living and…