The first-ever MUSLIM INTERNATIONAL FILM FESTIVAL will take place from May 30th to June 2nd in London’s Leicester Square. This festival champions the narratives of international Muslim filmmakers and highlights their compelling stories, serving as a platform for productions inspired by Muslim culture and faith, and welcoming filmmakers from all backgrounds. At a time when…
Category: Foreign Films
Beyond Preservation: Curation and Programming of Korean Film Archive – In Conversation with Kim Hong-joon, Director of the KOFA
The theme of the Far East Film Festival’s retrospective program this year was “Saving the Past: 50/50: Celebrating 50 Years of Korean Film Preservation” and it was focused on a tumultuous yet pivotal decade for Korean cinema. The 1950s were a time of great upheaval and these films – restored under the direction of the…
26th Far East Film Festival: In Conversation with Zhang Yudi, Director of “The Midsummer’s Voice” – Exclusive Interview
Peking Opera, a revered Chinese art form blending centuries-old traditions, faces challenges in modern times, struggling to engage the younger generation. Despite government support and international interest, efforts to modernise it and attract younger viewers have shown mixed results. However, Zhang Yudi’s film The Midsummer’s Voice offers a fresh perspective, focusing on the struggles of…
26th Far East Film Festival: In Conversation with Eugene Domingo and Jun Lana of “Becky and Badette” – Exclusive Interview
In Becky and Badette, director Jun Lana is facing the social media machine and what those who use it can be willing to do to gain fame. The comedy tackles this subject through Becky and Badette, played by Eugene Domingo and Pokwang. Best friends since their school days, they are in dead-end jobs, completely broke,…
26th Far East Film Festival: “The Roundup: Punishment” Review
In The Roundup: Punishment Ma Dong-seok strikes again… and again, and again in this rip-roaring action thriller that’ll have everyone’s hearts pumping. The fourth film in the franchise, Punishment sees detective Ma Seok-do (Ma) try to deliver just that after young Korean man Jo Sung-jae is killed in the Philippines and his mother begs the…
26th Far East Film Festival: “The Midsummer’s Voice” Review
Peking Opera is a Chinese art form with a rich history spanning over hundreds of years. Drawing inspiration from diverse sources including the music and dance traditions of the Han Dynasty (206 BC-220 AD), the performing arts of the Tang Dynasty (618-907), the Southern Opera during the Song Dynasty (960-1279), and the Kunqu Opera in…
26th Far East Film Festival: In Conversation with Jang Jae-hyun, Director of “Exhuma”
Jang Jae-hyun, a South Korean film director and screenwriter, earned acclaim for his work on blockbuster films such as The Priests (2015), Svaha: The Sixth Finger (2019), and Exhuma (2024). His career took off when he worked as an assistant director on the period drama Masquerade (2012). Jang Jae-hyun was also praised for his short…
26th Far East Film Festival: In Conversation with Kim Seong-hun, Director of “Ransomed” – Exclusive Interview
Kim Seong-hun’s filmmaking journey began as an assistant director on romantic comedies before directing his first feature, which unfortunately didn’t bring fruitful results. Determined to redeem himself, he took inspiration from Pedro Almodóvar’s work and spent years making his next project, A Hard Day. Premiering at the Cannes Film Festival, it received widespread acclaim and…
26th Far East Film Festival: In Conversation with Kim Sung-soo, Jung Woo-sung, and Kim Won-kuk of “12.12. The Day” – Exclusive Interview
Kim Sung-soo, a South Korean filmmaker, is well-known for films such as Musa, Asura: The City of Madness, and City of the Rising Sun. His recent film, 12.12 The Day, is a gripping political thriller set in the aftermath of President Park’s assassination in 1979, portraying the power struggles and uncertainty that ensued. Led by…
26th Far East Film Festival: In Conversation with Park Young-ju, Director of “Citizen of a Kind” – Exclusive Interview
Park Young-ju initially pursued creative writing but shifted her focus to screenwriting when her screenplays failed to attract attention from filmmakers. Faced with this challenge, she directed her own screenplay and debuted with A Delivery Girl in 2014. In 2016, she found inspiration in a story by Pyun Hye-young, leading her to direct the short…
VIEW OF THE ARTS 