Warning: Spoilers ahead. Just off the coast of Panama, in the indigenous Guna Yala province, sits an island town vibrant with colourful clothes and happy faces. Ustupo is home to a community of some 2,000 Guna people, whose rich culture and pride in their community is kept well alive to date. 50 years ago, French…
Category: Foreign Films
80th Venice International Film Festival: In Conversation with Nehir Tuna, Director of “Yurt”
The 80th Venice International Film Festival recently featured an intriguing and thought-provoking film, Yurt. In our exclusive interview with Nehir Tuna, we delved into the director’s background and the deep influence it had on the making of the aforementioned film. As the writer-director of the project, Tuna shared his deep personal connection to the story,…
80th Venice International Film Festival: “Yurt” Review
In the year 1996, against the backdrop of Turkey’s escalating tensions between religious and secular ideologies, a poignant and thought-provoking film, Yurt, takes us on a journey through the life of a fourteen-year-old boy named Ahmet (Doga Karakas). Raised in a secular environment, his world is upended when his recently converted father (Tansu Bicer) decides…
Ryoo Seung-wan’s “Smugglers” Review
Ryoo Seung-wan has done it again with his twelfth feature – albeit in terms of commercial, rather than critical, success. His latest film Smugglers has earned nearly £30 million since its July 26 premiere in South Korea, making it the fourth-highest grossing film of the year in the country and the summer box office champion….
“December”: Crime, Redemption, and Second Chances – In Conversation with Shogen, Ryo Matsuura, and Film’s Producer, Mina Moteki
December, directed by Anshul Chauhan, is a powerful drama that, hypothetically, delves into the Japanese justice system while exploring the possibilities of offering a second chance to criminals. It does so through the story of prisoner Kana (Ryo Matsuura), a young woman who killed her classmate a decade earlier and whose case is being brought…
“Step by Step” Sure Knows How to Take it Slow – Thai BL Drama Review
Warning: This Review Contains Spoilers If there is only one thing that viewers of Step By Step can agree on, it will be about how the show stuck true to its name. The show has an almost agonisingly slow burn with viewers having to wait until episode ten to watch Pat (“Ben” Bunyapol Likhitamnuayporn) and…
Edison Song Discusses His Music and Explores Depth of His Latest Acting Role in “Bad Education”
Hailing from Taiwan, Edison Song has mesmerised audiences with his performances across various mediums. From his breakthrough roles in popular drama TV Shows, HIStory1: Stay Away From Me (2017), Brave to Love (2019), Moonlight Romance (2020) and I, Myself (2020), to his music career, where he has proven his versatility time and time again. With…
76th Cannes Film Festival: “If Only I Could Hibernate” Review
Social realism is the name of the game in Mongolian filmmaker Zoljargal Purevdash’s debut feature If Only I Could Hibernate. Over the past few weeks, the Un Certain Regard title has been widely celebrated as the country’s first film ever in the Cannes official selection. To be accurate, however, Hibernate is the first Mongolian feature-length…
76th Cannes Film Festival: “Inshallah a Boy” Review
The power of cinema in Jordan holds significant cultural, artistic, and societal importance. Jordan has a rich cinematic history, and the country has produced a number of acclaimed filmmakers and notable films that have made an impact both domestically and internationally. Cinema in Jordan has been instrumental in reflecting and exploring various aspects of Jordanian…
76th Cannes Film Festival: “Tiger Stripes” Review
You don’t need a gross visual metaphor to articulate the horrifying transformation we all undergo during puberty – but it certainly can help. The history of genre cinema is rife with adolescent allegories, from the straightforward telekinesis metaphor of Stephen King’s Carrie, to the superpowered changes that Peter Parker goes through to become a “man”…
Keishi Otomo on Capturing the Samurai Spirit in “The Legend & Butterfly”
Keishi Otomo is no stranger to making Jidaigeki, Japanese period dramas. He has directed many in his prolific career, though he is probably best known for the “Rurouni Kenshin” live-action films. The franchise adapts Nobuhiro Watsuki’s classic manga of the same name across five films: “Rurouni Kenshin”, “Kyoto Inferno”, “The Legend Ends”, “The Final” and…
Lee Jeong-eun on Producing “Ditto”: From Script to Screen
Being a female film producer today means that you are part of a growing movement in the film industry to increase diversity and representation behind the camera. Historically, the film industry has been male-dominated, and women have faced significant barriers to enter and advance in this field. However, in recent years, there has been a…
Behind the Scenes of “Phantom”: An Exclusive Interview with Director Lee Hae-young
Lee Hae-young is a South Korean director and screenwriter, known for his 2015 film “The Silenced”, a mystery thriller set in 1938 during the Japanese colonial era in Korea. His new work, “Phantom”, is a spy drama set in 1933 that tells the thrilling story of a group of Korean independence fighters who band together…
“Return to Seoul” Review
Now playing in UK cinemas, Cambodian-French filmmaker Davy Chou’s award-winning adoption drama, Return to Seoul, is a cathartic exploration of identity and one’s sense of place in the world. Beginning in medias res, the story introduces Freddie, a 25-year-old Korean-French woman who has ended up in Seoul after a logistical mishap. Given that she does…
