74th Berlin International Film Festival: “Young Hearts” Review

Warning: Spoilers ahead. Set amongst the fairytale-like rural landscapes of Belgium, Anthony Schatteman’s Young Hearts takes us into the lives of Elias (Lou Goossens) and Alexander (Marius De Saeger) as they pry open their feelings for one another – and navigate first love. With musical magic from Ruben De Gheselle, the film suffocates you with…

The Human Rights Watch Film Festival to Open with “Mediha” by Hasan Oswald

The Human Rights Watch Film Festival, now in its 28th year in London, has revealed a line-up of 10 award-winning, international feature-length films in partnership with Barbican Cinema and Rich Mix and generously supported by players of People’s Postcode Lottery. The festival programme, presented at the Barbican and Rich Mix from 14-22 March, 2024, includes…

“Evil Does Not Exist” Review

The final moments of Evil Does Not Exist have proven divisive, but you won’t be able to successfully argue that Ryusuke Hamaguchi hasn’t tried to prepare you for them. From the opening moments to his latest effort, a prize winner at the recent Venice and London film festivals, it feels like the director is consciously…

18th London Korean Film Festival: “Hail to Hell” Review

In recent years, South Korean independent cinema has been taking the world by storm. Just look at Past Lives – a hidden gem of the country’s cinema. Another interesting film that is worth one’s attention is Lim Oh-jeong‘s Hail to Hell. Screened at this year’s London Korean Film Festival, the compelling film takes us on…

80th Venice International Film Festival: “Making Of” Review

Warning: Spoilers ahead. A fantastical orchestral piece plays over a black screen. The opening credits introduce us to Making Of before throwing us into a rain-doused action scene. Without looking at the blurb one might’ve easily assumed this was the movie they were watching, but before too long, a cameraman is angrily pushed away and…