76th Cannes Film Festival: “Tiger Stripes” Review

You don’t need a gross visual metaphor to articulate the horrifying transformation we all undergo during puberty – but it certainly can help. The history of genre cinema is rife with adolescent allegories, from the straightforward telekinesis metaphor of Stephen King’s Carrie, to the superpowered changes that Peter Parker goes through to become a “man”…

Lee Jeong-eun on Producing “Ditto”: From Script to Screen

Being a female film producer today means that you are part of a growing movement in the film industry to increase diversity and representation behind the camera. Historically, the film industry has been male-dominated, and women have faced significant barriers to enter and advance in this field. However, in recent years, there has been a…

“Return to Seoul” Review

Now playing in UK cinemas, Cambodian-French filmmaker Davy Chou’s award-winning adoption drama, Return to Seoul, is a cathartic exploration of identity and one’s sense of place in the world. Beginning in medias res, the story introduces Freddie, a 25-year-old Korean-French woman who has ended up in Seoul after a logistical mishap. Given that she does…

25th Far East Film Festival: “Rebound” Review

Busan’s Jungang High School basketball team is in disarray and about to come to a stop until a new coach, Kang Yang-hyeon (Ahn Jae-hong: Time to Hunt, Fabricated City) is brought in to turn the team around. Jang Hang-jun’s new film, Rebound, not only follows Kang’s journey but also of his protégés: Bae Gyoo-hyeok (Jeong…

73rd Berlin International Film Festival: “The Teachers’ Lounge” Review

It’s Carla Nowak’s (Leonie Benesch) first semester teaching within a school. Young and idealistic, she’s the type of teacher who greets her students with a good morning clap and chant routine, organises pop quizzes, and lends out Rubik’s cubes to kids who can’t afford their own. Carla is a teacher constantly on the go, so…

73rd Berlin International Film Festival: “Silver Haze” Review

For nearly a decade, on the 1st of June, Franky (Vicky Knight) has sent a vaguely threatening Facebook message to a figure from her past, asking for the true story about an event she is still physically scarred by to this day. It’s an anniversary that throws her life into turbulence every year, and director…

6th London East Asia Film Festival: “My Missing Valentine” Review

Taiwanese romantic comedies can touch one’s heart regardless of their Rotten Tomatoes rating or the narrative itself. And despite the genre, the country’s cinema has always highlighted its culture and people against the wonderful landscapes and pictorial compositions of local architecture. Although rom-coms are filled with cliches, some storylines make the audience analyse their own…

65th BFI London Film Festival: “The Souvenir: Part II” Review

There couldn’t have been a film less suited to this writer’s tastes than The Souvenir, Joanna Hogg’s semi-autobiographical 2019 drama about an aspiring filmmaker’s ill-fated romance with a drug addict. It was widely heralded as one of the best films of its year, although it proved hard to engage with due to its exploration of…