Celine Song’s “Past Lives” Review

The mundane joys of people watching have seldom been caught onscreen as effectively as they have in the opening sequence of Past Lives, the lauded directorial debut of playwright Celine Song. Entering the film from the perspective of two unseen, unnamed narrators, we’re immediately tasked with guessing the relationship dynamics between three people sitting at…

76th Cannes Film Festival: “Tiger Stripes” Review

You don’t need a gross visual metaphor to articulate the horrifying transformation we all undergo during puberty – but it certainly can help. The history of genre cinema is rife with adolescent allegories, from the straightforward telekinesis metaphor of Stephen King’s Carrie, to the superpowered changes that Peter Parker goes through to become a “man”…

Lee Jeong-eun on Producing “Ditto”: From Script to Screen

Being a female film producer today means that you are part of a growing movement in the film industry to increase diversity and representation behind the camera. Historically, the film industry has been male-dominated, and women have faced significant barriers to enter and advance in this field. However, in recent years, there has been a…

“Return to Seoul” Review

Now playing in UK cinemas, Cambodian-French filmmaker Davy Chou’s award-winning adoption drama, Return to Seoul, is a cathartic exploration of identity and one’s sense of place in the world. Beginning in medias res, the story introduces Freddie, a 25-year-old Korean-French woman who has ended up in Seoul after a logistical mishap. Given that she does…